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Free travel and hospitality commercial scripts

30 scripts written by us, free to practice with, record and put in your reel. Every one lists voice age, accent and length, so you can pick a read that fits the audition you are chasing.

Window Seat

Airline, premiumAdult (30-45)Neutral AmericanOne narrator30 secondsabout 28s
There's a moment, just after takeoff, when the city below turns into a map. The noise settles. Someone hands you a warm towel and a real coffee, in a real cup. On Meridel Airways, every seat has a little more room, every meal is made to be eaten, and every member of the crew remembers that you are a person, not a seat number. Meridel Airways. The long way, made lovely.

Direction: Calm, warm, a little wonder in it; unhurried and close to the mic
What it is for: The premium airline mood read. Trains stillness, sensory detail and a soft tag.
Coach's note: Watch out for pushing the sell on the middle paragraph. It is a list of small kindnesses, not features. The turn is 'not a seat number'; give it a hint of a smile, then let the tag float.
What casting listens for: Airline casting listens for calm you would trust at thirty thousand feet. Warm, never sleepy.

Check Twice

Airline, budgetYoung adult (18-25)Neutral AmericanOne narrator15 secondsabout 12s
Weekend away? You thought you couldn't afford it. Then you saw a Pennywing fare and read it twice. Yes, really. Forty-one cities, one tiny price. Pennywing Air. Go on. Go somewhere.

Direction: Bright, quick, cheeky; a friend telling you about a deal
What it is for: The short budget-airline hit. Trains punch, pace and a playful tag.
Coach's note: Watch out for reading 'Yes, really' as a shout. It is a grin, not a volume jump. Land 'Pennywing Air' clean before the tag.
What casting listens for: Budget brands want energy with charm. Casting listens for fun without the used-car-lot push.

Cleared for Home

AirlineMature (55+)Neutral BritishOne narrator60 secondsabout 58s
Good evening, ladies and gentlemen, this is your captain. We've reached our cruising altitude, the seatbelt sign is off, and the tea trolley is on its way, which I'm told is the only announcement anyone actually listens to. I've flown with Tessaline Airways for thirty-one years. Lisbon at sunrise. Nairobi in the rain. Reykjavik at a time of night I won't mention. The planes have changed. The uniforms have changed, thank goodness. What hasn't changed is the people. The crew who know your name by the second hour. The engineers who check every bolt twice, because they'd put their own children on this aircraft. And often do. But the best part of the job? It's tonight. It's the moment the wheels touch down and I hear the whole cabin breathe out. Somebody, somewhere back there, is going home. Tessaline Airways. We'll get you there.

Direction: A veteran captain's voice: steady, dry, affectionate; the pilot announcement cadence without the crackle
What it is for: A long-form brand story told in character. Trains a relaxed authority and the rhythm of a cockpit announcement.
Coach's note: Watch out for playing it as a comedy pilot. He is gently funny and deeply proud. The turn is 'the best part of the job'; drop the announcement voice there and talk to one person.
What casting listens for: Heritage airline spots want a voice of experience. Casting listens for effortless authority and a twinkle.

Sea Days

CruiseAdult (40-55)Neutral AmericanOne narrator60 secondsabout 57s
On the third morning, something happens. You wake up and you don't reach for your phone. You reach for the curtain. Out there is the Aegean, blue enough to hurt your eyes. Breakfast arrives on your balcony. Your only plan today is the pool, a book you've been meaning to finish, and maybe the spa at four. This is a sea day on Ardenmere Cruises. Tomorrow, there's Santorini. The day after, Rhodes, then the quiet little harbors the big ships sail right past. But today? Nobody needs you. No meetings. No laundry. No one asking what's for dinner, because tonight the chef has already decided, and it's wonderful. Our ships carry fewer guests, so you'll never queue for a sun lounger, and the crew will know how you take your coffee by Tuesday. Ardenmere Cruises. The sea is waiting. So is your book.

Direction: Luxurious and slow, sun-warmed; each image placed gently, lots of air between them
What it is for: The indulgent cruise read. Trains pacing, pleasure in the words and holding back energy for a long spot.
Coach's note: Watch out for speeding up in the list of ports. Each one is a postcard; give it a beat. The turn is 'Nobody needs you'. That line is the whole promise, so let it land with relief, not a laugh.
What casting listens for: Luxury travel casting listens for ease. They want the listener to feel their shoulders drop.

River at Dawn

Cruise, riverMature (55+)Neutral BritishOne narrator30 secondsabout 29s
Morning mist on the Danube. A village church bell somewhere across the water. Coffee on deck, and the whole of Austria drifting past your cabin window. With Tidewind River Voyages, you wake in a new town most days, from Vienna to Budapest and beyond, without ever unpacking your case. Small ships. Local guides. Evenings that end with a glass of something and a view. Tidewind River Voyages. Let the river do the travelling.

Direction: Gentle, cultured, a storyteller at a window; soft smile on the tag
What it is for: The quiet river-cruise read aimed at older travelers. Trains intimacy and understatement.
Coach's note: Watch out for over-pronouncing the place names. Say 'Danube' and 'Vienna' as someone who has been there. The small turn is 'without unpacking'; that is the practical sell hiding in the poetry.
What casting listens for: Casting for mature travel wants a voice the listener would happily share a table with. Warm, never grand.

The Water Slide Negotiation

Cruise, family, duetAnyNeutral AmericanTwo narrators (duet)30 secondsabout 32s

Cast: KIDPARENT

KIDOkay. Water slide first, then the pizza place, then the pool with the waterfall.
PARENTWhat about the spa? Mom and Dad need the spa.
KIDThe kids' club is open till ten.
PARENT...Go on.
KIDSo you do the spa. I do the kids' club. We meet for the magic show.
PARENTThat's actually a good plan.
KIDI read the whole Sunpenny Cruises website.
PARENTDeal. Sunpenny Cruises. Fun for them.
KIDAnd fine, for you too.

Direction: Quick family comedy: a parent losing an argument to a nine-year-old, affectionately
What it is for: Short duet with a child role. Trains cue pickup and a believable kid voice without cartoon.
Coach's note: Watch out for the KID being bratty. The kid is a brilliant negotiator, not a whiner. The PARENT's 'Deal' is a surrender with a smile; the sell is split, so hand it over cleanly.
What casting listens for: Family brands cast chemistry. They listen for a kid voice that sounds like a real kid and a parent who is secretly having fun.

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Checkout Is Noon

Hotel & resortAdult (25-40)Neutral AmericanOne narrator15 secondsabout 13s
The pillows are ridiculous. The robe is ridiculous. Breakfast in bed? Ridiculous. And checkout is at noon. Which is, honestly, rude of them. Hotel Veralune. You'll want to stay a little longer.

Direction: Sleepy-happy, a lazy stretch in the voice, then crisp on the tag
What it is for: A comic mood piece in fifteen seconds. Trains a lazy energy that still lands the brand.
Coach's note: Watch out for letting the sleepy tone blur the brand name. The yawn lives in the first two lines only; 'Hotel Veralune' is wide awake.
What casting listens for: Hotel spots want personality in small spaces. Casting listens for a relaxed read that still sounds sharp.

The Night Porter

Hotel & resort, boutiqueMature (55+)Neutral BritishOne narrator60 secondsabout 60s
I've been the night porter at The Marrowby Hotel for twenty-two years. I've seen a great deal. I've repeated none of it. I've found a lost wedding ring in a flowerpot at three in the morning. I've located a toothbrush, a phone charger and, on one occasion, a bagpipe. I've given directions to every theatre in the West End, and my opinion on most of the shows. Only when asked. The rooms here are small and beautiful, like the best things in London. The beds are enormous. The bar downstairs pours a very serious gin, and the breakfast is worth setting an alarm for, which is the highest praise I know. But I'll tell you what guests remember. It's coming back late, cold and tired, and finding someone at the door who is actually pleased to see you. That'll be me. I'll have the kettle on. The Marrowby Hotel. Mayfair, London.

Direction: An old London night porter confiding in you; dry wit, great discretion, great warmth
What it is for: Character narration for a boutique hotel. Trains specificity, discretion and a comic rhythm in a long read.
Coach's note: Watch out for playing him as a butler caricature. He is a real man who loves the job. The turn is 'I'll have the kettle on'; the whole spot builds to that simple, kind line.
What casting listens for: Boutique brands want character and charm. Casting listens for a voice with a life behind it.

Do Not Disturb

Hotel & resort, beachAdult (30-45)Neutral AmericanOne narrator30 secondsabout 28s
Shh. Hang the sign on the door. Out there, the Pacific is doing its slow, blue thing. There's a hammock with your name on it, a margarita on its way, and a spa appointment you might just sleep through. At Casa Albarena Resort, on the quiet coast of Oaxaca, nobody will knock. Nobody will call. Nobody will ask you to do a single thing. Casa Albarena. Please, do not disturb.

Direction: Hushed, breathy, sun-drunk; almost a whisper, smiling throughout
What it is for: The ultra-relaxed resort read. Trains soft delivery that still articulates.
Coach's note: Watch out for going so quiet the consonants disappear. Keep the tip of the tongue busy on 'hammock' and 'margarita'. The turn is 'nobody will'; a tiny, happy conspiracy.
What casting listens for: Resort casting listens for intimacy. They want to feel like someone is telling them a secret on a sun lounger.

Late Check-In

Hotel & resort, business, duetAdult (30-45)Neutral AmericanTwo narrators (duet)30 secondsabout 31s

Cast: TRAVELERCLERK

TRAVELERHi. Late flight. Please tell me you have my room.
CLERKWelcome to Bramhall Suites. Your room's ready, it's quiet, and the kitchen's still open.
TRAVELERIt's eleven o'clock.
CLERKGrilled cheese and tomato soup till two. We'll send it up with the key.
TRAVELER...Marry me?
CLERKI'll settle for a five-star review. Breakfast is free, by the way. Hot, too.
TRAVELEROf course it is.
CLERKBramhall Suites. For the days that run long.

Direction: Naturalistic two-hander; a wiped-out traveler at 11 p.m. and a desk clerk who has seen it all
What it is for: A duet built on relief. Trains listening, underplaying and a shared tag.
Coach's note: Watch out for the TRAVELER playing exhaustion too big. He is tired, not dying. The laugh is his 'Marry me?'; the CLERK takes it in stride, dry and kind.
What casting listens for: Casting listens for two real people and genuine reactions, not sketch timing.

Scream Test

Theme parkYoung adult (18-25)Neutral AmericanOne narrator30 secondsabout 31s
Two hundred and eight feet. That's how high the new Rattlesnake coaster climbs. You'll hear the clack, clack, clack of the chain. You'll see the whole park spread out below. You'll grab the hand of whoever is next to you, even if you don't know them. And then... you drop. Rattlesnake is now open at Wildcatter Springs Adventure Park, along with forty more rides and a water park to cool you down after. Wildcatter Springs. Scream responsibly.

Direction: Big, breathless, grinning adrenaline; hold it together until the drop
What it is for: The high-energy theme park spot. Trains stamina, build and controlled volume.
Coach's note: Watch out for peaking on the first line. The build is the whole spot: every ride name climbs a notch. The release is 'And then... you drop'; take the pause, then let it fly.
What casting listens for: Casting listens for excitement that stays clear. Loud is easy; clear and thrilling is the job.

Small Enough

Theme park, familyAdult (30-45)Neutral AmericanOne narrator30 secondsabout 28s
Some rides are too big. Some lines are too long. And some parks forget that the littlest guests have the biggest feelings. At Glimmerfield, the rides are made for small hands and short legs. The characters get down to eye level. And there's a nap garden, for whoever needs it most. Your little one will remember the teacup ride for a week. You'll remember it longer. Glimmerfield. Just the right size.

Direction: Warm, twinkly, a parent's delight; soft wonder rather than hype
What it is for: The toddler-and-family park read. Trains gentle energy and the voice of a parent who has been there.
Coach's note: Watch out for going sing-song. It is a parent talking about her own kid. The turn is 'You'll remember it longer'; make it quietly true.
What casting listens for: Family brands listen for warmth and truth. Casting wants a mum you would trust, not a children's presenter.

Splash Zone

Theme park, water parkYoung adult (18-25)Neutral AmericanOne narrator15 secondsabout 12s
It's ninety-six degrees. Your options are: sit in the hot car with the air on, or come on down to Bramble Bay Waterpark. Slide. Splash. Repeat. Bramble Bay. Summer's wettest idea.

Direction: Punchy, playful, bouncy rhythm; a summer promo with a wink
What it is for: A tight fifteen with three beats. Trains rhythm and staccato attack.
Coach's note: Watch out for blurring 'Slide. Splash. Repeat.' Each word is its own hit, with a tiny gap. Keep the tag clean and bright.
What casting listens for: Casting listens for rhythm and fun in a very small space.

Red Mesa

Destination, road tripMature (55+)Neutral AmericanOne narrator60 secondsabout 59s
Take the two-lane road out past the last gas station. Roll the window down. For a while, there's nothing. Sagebrush. Sky. A hawk hanging on the wind. Then everything. The canyon opens up in front of you, red and gold and a mile deep, and the whole world goes quiet. This is Red Mesa County. We've got petroglyphs older than any history book. Hot springs you can soak in under more stars than you knew existed. Trails for an easy morning, or a hard day, your choice. And there's a diner in Coppervale that serves a green chile cheeseburger people drive three hundred miles for. We can confirm, they're right. Stay in a cabin. Stay in a tent. Stay a little longer than you planned. Everyone does. Red Mesa County. Some places you see. This one, you feel. Plan your trip at Visit Red Mesa dot com.

Direction: Gravelly, slow, wide-open; a man who has driven this road a thousand times
What it is for: The cinematic road-trip tourism read. Trains space, low energy with presence and letting images breathe.
Coach's note: Watch out for filling the silence. The pauses after 'Nothing' and 'Then everything' are the spot. The small turn is the diner line; let a smile in, then go wide again for the close.
What casting listens for: Tourism boards want a voice that sounds like the land. Casting listens for gravity without gloom.

Cabin Weekend

Destination, lake townAdult (40-55)Neutral AmericanOne narrator30 secondsabout 30s
When I was a kid, summer meant one place. Lake Tamsin. Dock jumping. Fudge from the shop on Main Street. Loons calling across the water after dark. I still go every year. The fudge shop is still there. So are the loons. Now it's your turn. Rent a lakeside cabin, paddle out at sunrise, and let your kids find out what a real summer feels like. Lake Tamsin, Minnesota. Some traditions are worth starting.

Direction: Nostalgic, conversational, Midwestern warmth; remembering childhood summers
What it is for: Nostalgia tourism. Trains memory in the voice and a friendly local-sounding sell.
Coach's note: Watch out for getting wistful and slow. She is happy, not sad. The turn is 'Now it's your turn'; lift slightly and look at the listener.
What casting listens for: Regional tourism wants the sound of home. Casting listens for a genuine, neighborly read.

The Fare Watcher

Travel appYoung adult (18-25)Neutral AmericanOne narrator15 secondsabout 14s
Stop refreshing flight prices at two in the morning. Farecrow watches every fare, every airline, every day, and pings you the second your price drops. You sleep. It watches. Farecrow. Your fare's early bird.

Direction: Snappy, smart, a little smug in a fun way
What it is for: A tech-app fifteen. Trains crisp consonants and a punchy brand pun.
Coach's note: Watch out for losing the pun. 'Farecrow' needs a clear F. Don't wink too hard on it; the joke works if you play it straight.
What casting listens for: App brands want quick and likeable. Casting listens for clarity at speed.

Wrong Turn

Travel app, road trip, duetAdult (25-40)Neutral AmericanTwo narrators (duet)60 secondsabout 62s

Cast: PRIYADEV

PRIYAWe've passed that cow three times.
DEVThat's a different cow.
PRIYAIt has the same spot, Dev. It's looking at us.
DEVOkay. Fine. Maybe the paper map was a bad idea.
PRIYAIt's a map of Ohio. From nineteen ninety-four. We're in Vermont.
DEVI'm aware.
PRIYAGive me your phone.
DEVWhat are you doing?
PRIYADriftmap. It works offline, it finds scenic routes, it tells you where the nearest good coffee is, and it has a button that says, and I quote, 'Nearest bathroom that isn't gross.'
DEVThat's a real button? In the actual app?
PRIYAThat's my favorite button.
DEVOkay. Fine. What's it say?
PRIYATurn around. There's a covered bridge, a cider farm and a pie shop twelve minutes back.
DEVTwelve minutes back is the cow. We'd have to pass the cow again.
PRIYAI'm aware.
DEVDriftmap. Plan the road trip.
PRIYASkip the cow.

Direction: Bickering couple in a car, loving and fast; real overlaps, real exasperation
What it is for: A long duet road-trip comedy. Trains naturalism, overlapping cues and keeping the product inside the scene.
Coach's note: Watch out for DEV turning the app line into an announcer read. He is proving a point to his girlfriend. PRIYA drives the scene; her 'I'm aware' should be different every time it comes.
What casting listens for: Casting listens for chemistry and timing. Two people who are clearly in love, and clearly lost.

First Class, Overnight

Luxury escape, railMature (55+)Neutral BritishOne narrator60 secondsabout 62s
The first time I took the overnight train through the Alps, I was twenty-three and I'd saved for a year. I remember the linen. The polished brass. A waiter in white gloves who poured my coffee as if it mattered to him how it tasted. I remember a dining car full of strangers who were not strangers by the time the cheese course came. Most of all, I remember waking before dawn, lifting the blind, and seeing the mountains turn pink, one peak at a time. Aurum Rail still runs that route, from Zurich to Venice, in carriages restored by hand to the way they were, with a few modern kindnesses. A proper shower. A very good wine list. They say it's the journey, not the destination. I've always thought that was a bit of a cliché. And then, of course, I took this train. I still do. Every spring. Aurum Rail. Arrive changed.

Direction: Elegant, velvety, a glass of champagne in hand; the grand-dame storyteller with a mischievous edge
What it is for: Long-form luxury narration. Trains richness in the voice, vowels and a slow build to a romantic close.
Coach's note: Watch out for sounding posh instead of warm. She is inviting you in, not showing off. The turn is 'I still do'; drop into something private and true.
What casting listens for: Luxury casting wants elegance with a pulse. They listen for richness that never tips into parody.

Barefoot

Luxury escape, islandAdult (30-45)Neutral AmericanOne narrator30 secondsabout 27s
Nine villas. One island. White sand that stays cool under your feet, even at noon. A private chef who asks what you'd like, then makes something better. A reef right off your own deck. A night sky with no one else in it. The rest of the world is a two-hour seaplane ride away. It can stay there. Shoes? Optional. Solenne Private Islands. The Maldives, kept quiet.

Direction: Low, slow, intimate, breathy; each line almost a thought
What it is for: The male luxury whisper read. Trains close-mic control and pacing.
Coach's note: Watch out for pausing so long the spot loses shape. Group each pair of images, then pause. The turn is 'Shoes. Optional.'; treat it as an understated joke.
What casting listens for: Luxury brands listen for restraint and texture. Casting wants a voice that sounds expensive without trying.

Clean Sheets, Fair Price

Budget getaway, motelAdult (40-55)Southern USOne narrator30 secondsabout 29s
Now, I'm gonna be honest with you. We don't have a lobby fountain. We don't have a rooftop bar. There's no guy in a vest who opens the door. What Nightstop Motor Inns does have is clean sheets, hot showers, strong coffee in the morning, and a parking spot right outside your door, big enough for the trailer. Just off the interstate, all across the South. Nightstop Motor Inns. Sleep well. Drive on.

Direction: Easygoing, honest, a touch of humor; a truck driver's trusted recommendation
What it is for: The no-frills budget read. Trains straight talk and a friendly Southern rhythm.
Coach's note: Watch out for cranking up the drawl. Keep it light and real. The joke is 'we don't have a lobby fountain'; deliver it proud, not apologetic.
What casting listens for: Casting listens for trust. Budget brands need a voice that sounds like it would never oversell you.

Edinburgh to Glasgow

Budget getaway, coachYoung adult (18-25)ScottishOne narrator15 secondsabout 12s
Wi-fi, big comfy seats, and a plug for your phone. Edinburgh to Glasgow, every twenty minutes, all day. And it costs less than your lunch. Thistlebus. Get on. Get there.

Direction: Chirpy, fast, a mate recommending the bus; natural Scottish rhythm
What it is for: An accent fifteen that must stay clear to all listeners. Trains natural regional delivery at pace.
Coach's note: Watch out for thickening the accent for effect. Speak as yourself. The price line is the button; give it a cheeky lift.
What casting listens for: Regional casting listens for authenticity. A real accent, clearly spoken, beats a big one every time.

Under Canvas

Budget getaway, glampingYoung adult (18-25)Neutral AmericanOne narrator30 secondsabout 28s
Camping. But with a real bed. And a wood stove. And a hot shower you don't have to walk to in the dark. Fernlight Glamping has canvas tents hidden in the forests of the Oregon coast, each one with a deck, a fire pit, and a sky full of stars. Hear the ocean. Smell the pine. Sleep like a log, on a mattress. Fernlight Glamping. The outdoors, minus the backache.

Direction: Bright, outdoorsy, conversational; a friend who found a great spot
What it is for: The young outdoorsy read. Trains a natural, unforced energy and comic contrast.
Coach's note: Watch out for pausing too long after 'Camping.' The joke needs the quick correction. Keep the nature list relaxed and the tag warm.
What casting listens for: Casting listens for authenticity. It should sound like a voice memo from someone who loves being outside.

The Upgrade

Travel, car rentalAdult (25-40)Neutral AmericanOne narrator30 secondsabout 26s
You booked a midsize. At the counter, they offer you a subcompact. With a cassette player. And a smell. Not at Roadmellow Car Rental. The car you book is the car you get, clean, full of fuel and waiting at the curb. No lines, no mystery fees, no speech about insurance you've already said no to twice. Airports nationwide. Roadmellow. The easy part of the trip.

Direction: Dry comic storyteller; deadpan build, genuine delight on the reveal
What it is for: Comic storytelling for a rental brand. Trains deadpan timing and a warm pivot.
Coach's note: Watch out for signalling the joke. Play the first paragraph as a sad true story. The pivot is 'Not at Roadmellow'; brighten there and stay bright.
What casting listens for: Comedy casting listens for timing. The laugh comes from a straight read, not a funny voice.

First Chair

Destination, ski resortYoung adult (18-25)Neutral AmericanOne narrator30 secondsabout 28s
Seven fifty-eight a.m. Fresh snow overnight. Nobody's tracks on it but yours. The lift creaks. The air bites. Two minutes to the top. Drop in. Carve left. Carve right. Hear nothing but the snow. Mount Aldous has more than a hundred runs, a new six-person express lift and powder days that'll ruin every other mountain for you. Lift tickets and lodging on sale now. Mount Aldous. First chair's waiting.

Direction: Hyped and breathless in the cold, building; a snowboarder at the top of the run
What it is for: The action-sports resort read. Trains a build from quiet anticipation to full release.
Coach's note: Watch out for starting loud. The first paragraph is almost whispered, cold and early. The release is 'Drop in'; everything after rides that energy.
What casting listens for: Casting listens for authentic excitement. It should sound like it's happening, not like it's being described.

Backpacker Rates

Budget getaway, hostelYoung adult (18-25)AustralianOne narrator30 secondsabout 27s
Cheap beds. Free brekkie. A rooftop with a view of the harbor and a bunch of people from twelve countries you'll be friends with by midnight. Bunk and Barrow Hostels, in Sydney, Melbourne and Byron Bay. Private rooms if you're fancy. Dorms if you're not. Surf lessons, pub quiz, laundry on Tuesdays. Towels? Mate. It's a hostel. Bring your own. Bunk and Barrow. Stay cheap. Stay late.

Direction: Laid-back, sunny, fast talker; a traveler in flip-flops with a story
What it is for: The Aussie budget-travel read. Trains natural accent delivery and rattling off details clearly.
Coach's note: Watch out for running the list together. Every item is a bonus; tick them off. The laugh is 'Mate. It's a hostel.'; land it with a grin.
What casting listens for: Casting listens for an easy, natural Australian read that stays clear for a global audience.

Rain Is Part of It

Destination, tourAdult (40-55)IrishOne narrator30 secondsabout 31s
Now, you'll want a good jacket. I'll say that up front. With Gullquill Tours, you'll see the cliffs of the west coast, the stone walls of the Aran Islands, and a pub in Connemara where the music starts whenever somebody feels like it. Small groups. Local guides. Stories you'll not find in any book. And yes, it might rain. But the rain is part of it. You'll see. Gullquill Tours. Ireland, the way we'd show a friend.

Direction: Warm, humorous tour-guide storyteller; unhurried and twinkling
What it is for: Irish accent tourism read. Trains natural regional rhythm and a light comic turn.
Coach's note: Watch out for playing up a stage-Irish voice. Talk like a real guide from Galway. The turn is 'the rain is part of it'; deliver it with total affection.
What casting listens for: Casting listens for authenticity and charm. They want a real person, not a leprechaun.

The Lounge

Airline, airport loungeAdult (30-45)Neutral AmericanOne narrator15 secondsabout 12s
Gate changes. Crowds. The last seat is next to a man eating tuna. Or: a quiet chair, a real meal and a hot shower. Mezzanine Lounges. The airport, turned down.

Direction: Cool, poised, relaxed; a quiet room in a loud place
What it is for: Short calm read. Trains contrast between the noisy setup and the calm payoff.
Coach's note: Watch out for playing the first line flat. Give 'Gate changes. Crowds.' a little stress, then exhale into the rest.
What casting listens for: Casting listens for poise. The voice itself should feel like the quiet room.

Lazy Spur

Destination, ranchMature (55+)Southern USOne narrator60 secondsabout 62s
Howdy. I'm June. My husband and I have run the Lazy Spur Ranch, out in the Texas Hill Country, for going on thirty years. Folks come to us from all over. Doctors, schoolteachers, a fella from Tokyo who'd never seen a horse up close. By the end of the week, he was helping me move cattle. Better than some of my hands, too. Here's how the day goes. Coffee on the porch. A trail ride down to the river. Afternoon, you swim, you fish, you nap in a hammock. Nobody's gonna judge. Evenings, we eat brisket under the pecan trees and somebody usually brings out a guitar. But the part I love best is the last night, when the kids are asleep in the bunkhouse and the grown-ups are just sitting there under the stars, not saying much. That's the real vacation. Lazy Spur Ranch. Come on out. We'll saddle up a horse for you.

Direction: Warm Texas owner-voice, dry humor, big hospitality; easy and proud
What it is for: Owner-voice storytelling for a family ranch. Trains personality, pace and a Southern read that stays real.
Coach's note: Watch out for going caricature on the accent. She's a real rancher, a little tough, very kind. The turn is 'That's the real vacation'; let her get quiet and sincere.
What casting listens for: Casting listens for authenticity and heart. A ranch owner has to sound like she's actually shoveled something.

Hot Water, Cold Air

Luxury escape, spa resortAdult (40-55)Neutral BritishOne narrator60 secondsabout 56s
Step out of the car and the first thing you notice is the quiet. Then the air. Clean and cold, with a little pine in it. This is Thermae Valbrun, high in the Swiss Alps, where warm spring water has been rising out of the mountain for longer than anyone can say. Slip into the outdoor pool as the snow comes down. The water is thirty-six degrees. The air is not. Your breath clouds in front of you. Somewhere below, a cowbell. Afterwards, a sauna built of old larch wood. A massage by someone who seems to know exactly where you keep your worries. A long dinner, slowly, with a view of the valley turning blue. Will you sleep well tonight? It isn't a question. Thermae Valbrun. Rooms, suites and day passes, open year-round. Come for the water. Leave lighter.

Direction: Slow, soothing, sensory, close-mic; a guided-meditation pace with a travel sell
What it is for: The long spa-resort read. Trains breath control, sensory imagery and warmth across sixty seconds.
Coach's note: Watch out for drifting into a sleepy monotone. There is a shape: arrival, the water, the view, the evening, then the invitation. The small turn is 'It isn't a question'; a wry, gentle smile.
What casting listens for: Spa and wellness travel casting listens for calm with presence. The voice should feel like warm water, not a lullaby.

Red Dirt

Destination, tourAdult (30-45)AustralianOne narrator30 secondsabout 28s
Red dirt, as far as you can see. A sky so big it feels like it goes all the way round. Big Sky Outback Tours takes you deep into Australia's red centre. Gorges, rock art, sunsets that set the whole desert on fire, and a swag under the Milky Way. Snakes? Don't worry. Your guide has done this a thousand times. Big Sky Outback Tours. Out here, it's bigger.

Direction: Sun-baked, grounded, awe with a laconic edge
What it is for: Outback adventure tourism. Trains big imagery delivered with understatement.
Coach's note: Watch out for pushing awe into breathlessness. Australians underplay; let the images do the work. The turn is 'Don't worry'; dry and reassuring.
What casting listens for: Casting listens for a natural Australian voice that sounds like it has actually been out there.

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