30 scripts written by us, free to practice with, record and put in your reel.
Every one lists voice age, accent and length, so you can pick a read that fits the audition you are chasing.
The first mile always lies. It tells you to turn around.
The Tallrun Rise has a softer landing and a quicker push-off, so by mile two you've stopped listening.
Tallrun. Run it anyway.
Direction: Bright and quick, breath in the voice, landing hard on 'Run it' What it is for: A short energy read that has to feel like motion without shouting. Coach's note: Watch out for punching every word the same. The first line is a groan, the middle picks up speed, and 'Run it' is the only place you lean in. What casting listens for: Casting listens for momentum: does the read accelerate, or does it just start loud and stay there?
Tuesdays at Cottonwood Draw, twilight rounds start at four. Nine holes, a cart, and a cold drink on the patio after.
The greens are quick and the sunset's free.
Cottonwood Draw Golf Club. Come play a while.
Direction: Easy, unhurried, a front-porch grin; don't rush the address What it is for: Local retail read with a relaxed regional voice that still gets the facts across. Coach's note: Watch out for rushing the offer to fit the time. Slow is the style here; save time by tightening the pauses, not by speeding the words. What casting listens for: Casting listens for a voice you would actually trust to tell you the greens are in good shape.
Four minutes left. Legs gone. Lungs gone. Nobody on this bench is quitting.
Quenchline. Cold, crisp, and built for the last quarter, not the first.
Drink up. Go.
Quenchline. Finish thirsty for more.
Direction: Hype, tight and percussive, like a coach on the sideline counting down What it is for: Rhythm drill. Short clipped phrases that build to the brand without getting shouty. Coach's note: Watch out for running out of air before the tag. Breathe after 'Four minutes' and after 'Go', and keep the last line bigger but lower. What casting listens for: Casting listens for control inside the energy. Loud is easy; punchy and clean is the job.
Grindhall opens at five a.m. Which means the coffee's hot, the music's decent, and nobody hogs the rack.
No contract, first week free.
Grindhall Gym. Early is our favourite time.
Direction: Dry, friendly, a little conspiratorial, like you're both up too early What it is for: Conversational gym spot. Trains a smile that you can hear without a laugh. Coach's note: Watch out for selling it like a price-drop ad. It's a knowing aside to people who already train early. The smile lands on 'nobody hogs the rack'. What casting listens for: Casting listens for personality in fifteen seconds: one clear attitude, held all the way to the tag.
Netball Season
Community sport leagueAdult (30-45)AustralianOne narrator15 secondsabout 14s
Thursday nights, Harbourside courts. Mixed teams, all skill levels, and a sausage sizzle after.
Haven't played since school? Perfect. Neither have half of us.
Bring a mate, or we'll find you one. Harbourside Social Netball.
Direction: Warm, chatty, big-hearted Aussie energy; a mate talking you into it What it is for: Local league sign-up read. Trains natural regional delivery without playing it for laughs. Coach's note: Watch out for pushing the accent into a caricature. Keep it your real voice. The sell is 'Bring a mate, or we'll find you one'. What casting listens for: Casting listens for a real person they'd want on their team, not an announcer.
Boots On
Football bootsYoung adult (18-25)Neutral BritishOne narrator15 secondsabout 12s
Mud on the studs from last week. Tape on the left ankle. Same routine, every time.
Pitchline boots. Light on your feet, locked in the turn.
Pitchline. Lace up. Walk out.
Direction: Low, focused, a player in the tunnel; quiet intensity What it is for: Short, low-energy but high-intensity read. Trains intimacy that still sells. Coach's note: Watch out for going breathy and trailer-voiced. It's a lad lacing up, not a film. The tag is plain and confident, not whispered. What casting listens for: Casting listens for stillness. Can you make fifteen quiet seconds feel like the minute before kick-off?
Take all 30 sports & fitness scripts with you
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straight away, and we'll send you new scripts as we write them.
I used to skip the warm-up. And the cool-down. And, honestly, most Wednesdays.
Then a friend sent me Limberkit. It builds a plan around the time I really have, not the time I pretend to have. Twenty minutes? Fine. Ten? Also fine. It just keeps me showing up, week after week, without the guilt trip.
Turns out that was the whole trick.
Limberkit. The workout that fits the day you've got.
Direction: Conversational, self-aware, a little funny; talking to a friend on a walk What it is for: Real-person fitness app read. Trains honest, unpolished delivery with a clear sell at the end. Coach's note: Watch out for getting preachy about discipline. She's admitting she used to skip things. The turn is 'Turns out that was the whole trick', where she stops confessing and starts recommending. What casting listens for: Casting listens for whether you sound like someone who actually uses the app, not someone paid to say so.
There's a hill on Garner Street. Six years, it's beaten me every single morning. Rain, shine, doesn't matter.
Halfway up, I always start negotiating. Walk to the mailbox. Walk to the tree. Okay, fine, just get to the tree.
This spring, new shoes. Cindertrack Climbers, grippy on the push, soft on the landing. Same hill. Same lungs.
And then, the top.
No walking. Not once.
Cindertrack. Pick a hill.
Direction: Inner monologue, breath in it, building from grudge to grin What it is for: A first-person story inside a shoe ad. Trains a clear emotional arc in thirty seconds. Coach's note: Watch out for staying at one pace. The first half is a man bargaining with a hill; the turn is 'And then, the top', where the breath and the smile arrive together. What casting listens for: Casting listens for a real arc: frustration, effort, payoff, and a brand line that feels earned.
Saturday Sign-Ups
Youth soccer league, localAdult (40-55)Neutral AmericanOne narrator30 secondsabout 28s
Picture it. Twelve five-year-olds, one ball, and absolutely no positions.
It's beautiful.
Riverbend Youth Soccer League is signing up players ages four to fourteen. Every kid plays, every game, and every team gets a snack schedule and a very patient coach. Volunteer coaches get a free team shirt and our eternal gratitude.
Season starts in September. Registration closes August thirtieth.
Sign up at riverbend soccer dot org. Orange slices provided.
Direction: Warm, dad-next-door, amused by the chaos; details clean and clear What it is for: Community sign-up spot. Trains making logistics sound warm. Coach's note: Watch out for losing the dates and the web address in the fun. Slow down on 'riverbend soccer dot org' and 'August thirtieth'. What casting listens for: Casting listens for friendliness that still delivers the information a parent has to write down.
MAYAFescue & Pine. New irons. Forgiving on the miss, Grandpa. You should try them.
GRANDPAI don't miss.
MAYAYou missed three times this morning. Once into the car park.
GRANDPAHand me that.
MAYAFescue & Pine Golf Co. Clubs for every generation.
GRANDPAEven the stubborn one.
Direction: A grandfather (60s) and his granddaughter (teens) on the range; affectionate needling, he's losing gracefully What it is for: Two-voice comedy with a generational turn. Trains cue pickup and a gentle status flip. Coach's note: Watch out for GRANDPA playing grumpy. He's delighted she's better than him, he just won't say it yet. The turn is his 'Hand me that.' Let it land with a beat before. What casting listens for: For duets, casting listens for a real relationship between the voices and clean, unforced timing.
I used to spend forty minutes a day in traffic. Radio on, wipers going, the same red lights in the same order, every single day.
Now I just go.
The Spokeworth Glide is an electric bike with a gentle boost for the hills and a battery that'll do the week. Past the queue on the quays, over the bridge, in the door with the kettle on.
Spokeworth Cycles. Mind the traffic. From a distance.
Direction: Light, bright, wry; the grin of someone who has stopped sitting in traffic What it is for: Lifestyle cycling read. Trains a light regional voice with a clear list and a clean button. Coach's note: Watch out for racing through the list of things she no longer does. Give each one its own tiny picture. The turn is 'Now I just go'. What casting listens for: Casting listens for charm with detail: can every item in the list be seen?
Half-Time Oranges
Team management appAdult (40-55)Neutral AmericanOne narrator30 secondsabout 26s
Who's bringing oranges? Is the game at ten or ten-thirty? Did anyone tell Jaden's mom it moved to Field Four?
I coached under-tens for three seasons with a group text and a prayer.
Now it's one app. Benchcall sends the schedule, sorts the snack rota, and pings every parent when the field changes. They actually read it.
Benchcall. Coach the kids. Not the group chat.
Direction: Frazzled volunteer coach, loving it anyway; quick and funny, settling warm What it is for: Busy-parent read with fast patter and a warm landing. Trains pace control. Coach's note: Watch out for sprinting the whole script. The first paragraph is chaos, the second is relief. The turn is 'Now it's one app'. What casting listens for: Casting listens for a character who sounds genuinely overloaded, then genuinely rescued.
I never learned to swim. Not as a kid, not at sixty. I'd sit by the pool on holiday and just watch.
Then my granddaughter signed us both up at Tidelane. Adult lessons, small groups, warm water, and nobody in a hurry.
Last Thursday, lane three, I swam a length.
The whole thing.
Tidelane Swim Club. Adult beginners always welcome. It's never too late to get in.
Direction: Gentle, a bit shy, then quietly proud; real and unperformed What it is for: Testimonial-style read for an older voice. Trains vulnerability without sentimentality. Coach's note: Watch out for getting teary. She's proud, not emotional. The turn is 'I swam a length'. Say it plainly and let it be enough. What casting listens for: Casting listens for truth. It should sound like she's telling you, not like she's reading.
Left hand. Chalk. Right foot high, on that little yellow one there.
Don't look down. Look at the next hold. Breathe out slow.
Forearms burning. Fingers slipping. Reach. Reach.
Top.
Cragworks Climbing has over two hundred routes, from first-timer friendly to properly mean. Shoes and harnesses to rent, friendly coaches on the floor, and a free intro session every Saturday.
Cragworks. Find your next hold.
Direction: Focused and present tense, mid-climb; breath and small pauses, then a release What it is for: Present-tense, in-the-moment read. Trains tension and release on the voice. Coach's note: Watch out for playing it as a thrill ride. It's concentration. Keep it tight until 'Top', then let the air out. What casting listens for: Casting listens for physicality: can they hear the body in the voice without any grunting?
The Rematch
Padel club, duetAdult (30-45)Neutral BritishTwo narrators (duet)30 secondsabout 34s
Cast: PRIYATOM
PRIYAGood game.
TOMIt was a good game.
PRIYASix-one, six-love.
TOMI'm aware of the score, Priya.
PRIYAYou were very close in that one game.
TOMThank you.
PRIYAYou know Crosscourt Padel Club has beginner sessions on Monday evenings. Coaching, drills, the lot. Just saying.
TOMI've been coming for three weeks. To the beginner sessions.
PRIYAI know. I can tell.
TOMSame time Thursday?
PRIYAObviously.
PRIYACrosscourt Padel Club. Courts open till ten, seven days a week.
Direction: Two old friends, fiercely competitive and very polite about it; dry British comedy What it is for: Two-voice comedy built on understatement. Trains dry timing and underplaying. Coach's note: Watch out for going broad. The joke is how civil they are. The turn is TOM's 'Same time Thursday?' It's a surrender dressed up as a challenge. What casting listens for: For duets, casting listens for crisp timing and a relationship with history behind it.
You train hard. Six days a week, early alarms, all of it.
So here's a thought for day seven.
Loosewell Stretch Studio. One-on-one assisted stretching with a trained coach, in a quiet room with the lights down. Forty-five minutes where nobody asks you for one more rep, one more mile, or one more anything.
You're allowed.
Book your first session at loosewell dot com. Loosewell. The other half of training.
Direction: Calm, low, slow, a small smile; permission, not a pitch What it is for: Soft-sell read. Trains slowing down without sounding sleepy. Coach's note: Watch out for selling results. Don't: it's about how the hour feels. The turn is 'You're allowed'. Give it room. What casting listens for: Casting listens for calm with warmth underneath. Flat calm sounds bored.
You been on this court all summer. I seen you.
Same spot, same fadeaway, same shoes with the sole peeling off.
Backboard Hanger Two. Cushion that takes the landing, grip that takes the cut, and a collar that keeps you locked when you plant and go.
So lace up, come back Saturday, and take the rematch. Winner stays on.
I'll wait.
Backboard Athletic. Game's on.
Direction: Street-court swagger, rhythmic, talking to the listener like a rival you respect What it is for: Attitude read with a rhythm. Trains swagger that stays likeable. Coach's note: Watch out for tipping into arrogance. It's playful trash talk. The turn is 'I'll wait', a smile, not a sneer. What casting listens for: Casting listens for confidence and musicality. The rhythm of the lines is half the sell.
Somebody Has to Blow the Whistle
Referee recruitment, community sportMature (55+)Neutral AmericanOne narrator30 secondsabout 26s
Thirty-one years refereeing youth sports. I've been called blind, slow, and once, by a seven-year-old, a potato.
But every weekend, some kid gets to play a real game with real rules, because somebody showed up with a whistle.
The Tri-Valley Officials Association needs new referees. We'll train you, pay you, and back you up.
Sign up at tri valley refs dot org. Be the potato.
Direction: Seasoned, dry, wry; a veteran ref who has heard every insult and loves the job What it is for: Recruitment PSA with humour. Trains dry delivery and a sincere turn. Coach's note: Watch out for playing the insults for sympathy. He finds them funny. The turn is 'But every weekend', where it gets sincere; drop the grin there. What casting listens for: Casting listens for a believable veteran: humour and heart in the same voice.
Direction: Tired, honest, sun-cooked; the long-ride voice, then a clean sell What it is for: Endurance sport read. Trains fatigue in the voice without losing clarity. Coach's note: Watch out for making claims. Keep it about taste and habit. The turn is 'It still tastes good at mile ninety', which is the whole pitch. What casting listens for: Casting listens for lived-in detail: does this person actually ride a hundred miles?
Glenbrae Rugby Club is looking for new players.
What we offer. Sideways rain. A pitch that's mostly puddle. Training Tuesday and Thursday, even when it's dark by four.
And the best folk you'll ever meet.
Never played? We'll teach you. Played years ago? Your knees will remember. Men's, women's, juniors and walking rugby for the over-fifties.
Glenbrae Rugby Club. Come for the game. Stay for the tea.
Direction: Gruff, warm, a proper clubhouse voice; teasing then earnest What it is for: Community club recruitment. Trains regional warmth and a shift from joke to heart. Coach's note: Watch out for rushing the jokes. The weather line needs a beat. The turn is 'And the best folk you'll ever meet', said straight. What casting listens for: Casting listens for a voice you believe has stood on a cold touchline for twenty years.
Take Me Out Tonight
Minor league baseballAdult (30-45)Neutral AmericanOne narrator30 secondsabout 28s
It's summer. It's Friday. It's baseball, baby.
The Salt Flats Jackrabbits take on the Desert Hollow Owls this Friday night at Sagebrush Field.
Fireworks after the final out. Bobbleheads for the first thousand fans.
And psst. Two-dollar hot dogs, all night long.
Bring the kids, bring the grandparents, bring your loudest cheering voice. Tickets start at eight bucks at jackrabbits baseball dot com.
The Salt Flats Jackrabbits. Hop on over.
Direction: Ballpark announcer, big, fun and fast; wink in every line What it is for: Promo-announcer read. Trains big energy with crisp details and pace changes. Coach's note: Watch out for being loud all the way. Pull back for 'Two-dollar hot dogs', like a secret. Then go big on the team name. What casting listens for: Casting listens for range inside a big read: loud, soft, fast, a button.
Form Check
Home gym equipmentYoung adult (18-25)Neutral AmericanOne narrator30 secondsabout 28s
My apartment gym used to be one bent yoga mat and a kettlebell I used as a doorstop.
Anyway. Meet Ironnook adjustable dumbbells. One twist of the handle and it's five pounds or fifty, and the whole set tucks under the bed.
No rack, no clanging, no clutter in the corner, and no angry neighbour downstairs. Well. Less angry. We're working on it.
Ironnook. A full gym, folded small.
Direction: Laid-back, a little self-mocking, like a vlog; relaxed pace What it is for: Social-first ad read. Trains a casual online voice that still hits the product points. Coach's note: Watch out for over-selling the features. He's showing a mate. The turn is 'Anyway', where he drops the joke and gets to the point. What casting listens for: Casting listens for a natural creator voice: loose, personal and quick.
Before the crowd. Before the lights. Before anyone knew your name.
There was a driveway, and a hoop with no net. A track in the rain, with one stubborn kid still running laps. A cold rink at six a.m. and a mother asleep in the car with the heater on.
Nobody filmed it. Nobody clapped.
You did it anyway.
The missed shots. The last place finishes. The bench. The season you almost walked away and didn't.
That was you.
Every champion was once somebody nobody was watching. Every record was set by someone who got up early for years, for no reason anyone else could see.
So here's to the practice. To the quiet hours. To the work that doesn't make the highlights.
That's where it starts. That's where it always starts.
Veloran. Made for the hours nobody sees.
Direction: The big anthem read: grounded, gravelly, slow build from a murmur to full conviction, never shouting What it is for: The classic brand anthem. Trains a long build, controlled dynamics and earning the tag. Coach's note: Watch out for starting too big. The first paragraph is almost private. Build through the images; the peak is 'That was you', then pull all the way back for the tag. What casting listens for: Casting listens for restraint and a real build. The best anthem reads are quieter than you expect.
Nobody tells you about the quiet part.
The bit after the warm-up, before the whistle, when it's just you and whatever you've been carrying up the stairs.
The voice that says you're too old. Too slow. Started too late. Wrong shape, wrong school, wrong postcode, wrong everything.
For years, I waited for someone to tell me I belonged.
So I stopped asking.
I turned up. Wet Tuesdays. Dark mornings. Sessions nobody saw and nobody would ever mark down. Hills in the dark. Laps in the cold.
And slowly, the quiet part got quieter.
This is for everyone still in it. Still lacing up. Still standing on the line with their heart going, legs shaking, choosing to go anyway. Every time.
You don't need permission.
You never did.
Northcleave. Made for the ones who turn up.
Direction: Intimate anthem, close to the mic, steady and fierce underneath; the power is in the stillness What it is for: A second anthem style: understated and personal. Trains intensity at low volume. Coach's note: Watch out for going soft and breathy all the way. There's steel in it. The turn is 'So I stopped asking', where the voice sets. Don't get louder, get firmer. What casting listens for: Casting listens for conviction without volume. Whisper-quiet but completely certain.
Forty years I've been teaching golf. Let me tell you about the worst student I ever had.
He showed up in jeans. Swung like he was killing a snake. First ball went sideways into the pond. Second ball, the parking lot. Third one, I'm still not sure where that went.
I said, son, let's slow it down.
We worked the grip. Then the stance. By the end of the hour, he hit one straight. Not far. But straight.
He came back the next Saturday. And the one after that. Thirty years later, he's still here, still swinging, and he beats me about once a month.
At Magnolia Bend, we've got lessons for every level, junior camps all summer, and a nine-hole course that's gentle on beginners.
Come see us off Route Nine.
Magnolia Bend Golf and Social. Bring your worst swing. We'll take it from there.
Direction: Storyteller, leaning on a golf cart, slow Southern warmth with a dry punchline What it is for: Long-form local storytelling read. Trains pacing a story so the offer feels like part of it. Coach's note: Watch out for rushing the story to get to the offer. The story is the offer. The turn is 'He came back the next Saturday'. Let the smile widen there. What casting listens for: Casting listens for a natural storyteller: someone who knows exactly where the pause goes.
Weeknight Cup
Adult soccer league, duetAdult (40-55)Neutral AmericanTwo narrators (duet)60 secondsabout 63s
Cast: DEVGREG
DEVThat was incredible.
GREGI can't feel my legs.
DEVYou touched the ball.
GREGThe ball touched me. In the face.
DEVAnd you kept going. That's heart, Greg.
GREGThat was a mild concussion, Dev.
DEVCome on. Twenty years since either of us played. And we scored a goal.
GREGYou scored. I was lying down near the goal.
DEVWeeknight Cup, man. Adult rec soccer, any skill level. They put you on a team if you don't have one, and nobody cares if you're any good.
GREGThey put me on your team.
DEVLucky you. Tuesday nights, lights on, a bench to sit on, and a guy who brings orange slices.
GREGI did like the orange slices.
DEVSo?
GREGMy hamstring has filed a formal complaint.
DEVNoted. Filed. Ignored. So?
GREGYeah. Same time next week.
DEVWeeknight Cup. Sign up at weeknight cup dot com.
GREGBring ice.
Direction: Two middle-aged friends in a parking lot after their first game in twenty years; wheezing, proud, hilarious What it is for: A longer duet with a comic arc and a warm landing. Trains listening and pacing a two-hander. Coach's note: Watch out for both actors playing the same note. DEV is the optimist driving the scene; GREG is the reluctant one who comes round. The turn is GREG's 'Yeah. Same time next week.' Let it be quiet. What casting listens for: Casting listens for chemistry, overlap on the quick lines and a real change in GREG by the end.
I'm the kind of person who buys the running shoes and then uses them to go to brunch.
New Year's resolutions? Lasted about nine days. Gym membership? Great for my keyring.
So my roommate put Everyrep on my phone. Ten-minute workouts, a streak counter, and a little nudge at the time you actually said you'd do it.
Day one, I did it out of spite. Day seven, I did it because I didn't want to break the streak. Day twenty, I did it because it was just a thing I did.
Day forty-one, I missed.
And instead of making me feel terrible, Everyrep said, cool, pick it up tomorrow. So I did.
It's not about being perfect. It's about coming back.
I'm on day a hundred and twelve now. Still go to brunch, obviously.
Everyrep. Show up. Then show up again.
Direction: Honest, a little rueful, then bright; a real young woman telling you how it went What it is for: Long testimonial-style app read. Trains variety across a minute without losing the thread. Coach's note: Watch out for making any promise about the body. It's about habit and feeling. The turn is 'Day forty-one, I missed', where you'd expect failure and get grace instead. What casting listens for: Casting listens for warmth, specific detail and a real person underneath the product line.
Five a.m. The house is asleep. You lay out the number, the pins, the shoes you swore you'd break in properly.
Down at the harbour, it's cold and grey and full of strangers in bin bags, bouncing on the spot.
Then the gun.
Thirteen miles along the water, past the lighthouse, up Carrick Hill, where half the town is out banging pots and handing out jelly babies. A pipe band on the bridge. A child with a sign that says run faster, I'm hungry.
And the last mile. The finish arch, the noise, the name someone shouts that turns out to be yours.
The Brennock Harbour Half Marathon. Sunday the twelfth of October. Runners, walkers and first-timers welcome, with a five-kilometre fun run for families.
Entries close at the end of the month.
Sign up at brennock half dot ie. See you on the line.
Direction: Soft and early-morning at first, then swelling with the crowd; big-hearted and local What it is for: Event promo with a wide dynamic range. Trains a build from intimate to rousing, then a clean information close. Coach's note: Watch out for peaking too early. Start with the quiet of the alarm; the rise begins on 'Then the gun'. Pull right back for the practical details. What casting listens for: Casting listens for a real journey across the minute, and for the details still being crystal clear at the end.
Lane four. Why is it always lane four?
My coach says don't look at the girl in five. I'm looking at the girl in five. She's tall. Her warm-up jacket has her name on it. Who does that? Nobody needs a jacket with their name on it.
Okay. Breathe. Check the spikes. Laces double-knotted. These are Harrier Sprints, and they've been with me every rep since March. Light as nothing. Grippy on the curve.
My mom's in the stands with a homemade sign. I can hear her. The whole stadium can hear her.
On your marks.
Hands on the line. Fingers wide.
Set.
[beat]
And then there's nothing. No crowd, no girl in five. Just the curve and the straight and the white line and my own breathing.
Four hundred metres. Fifty-eight seconds.
Personal best.
Harrier Track Co. Made for the line.
Direction: Young athlete, nervous-excited, present tense, fast inner voice slowing to focus What it is for: Present-tense sport story for a young voice. Trains pacing changes: racing thoughts to stillness. Coach's note: Watch out for keeping the same speed all the way. The first half is nerves, fast and scattered. The turn is 'Set', where everything stops. Hold that silence. What casting listens for: Casting listens for authenticity in a young voice and the confidence to use real silence.
What the Bike Shop Knows
Bike shop, localMature (55+)Neutral AmericanOne narrator60 secondsabout 60s
I'm Tom. I've run the bike shop on Alder Street for thirty-four years.
You'd be amazed what comes through that door.
A racing bike with a coat hanger for a brake cable. A tandem that a couple bought for their honeymoon, still in the box twelve years later. A little pink bike with streamers, and a girl who wanted the streamers fixed before the flat tyre.
She was right. Priorities.
Every one of those kids who learned to ride on one of our bikes, I've seen them come back. Now they're buying the first bike for their own kids.
We do tune-ups, repairs, and fitting for new riders. Kids' bikes, commuter bikes, the fancy ones too. And if you just want to know why that clicking noise won't stop, come on in. I'll take a look.
Two Wheel Tom's, Alder Street. Open six days. Closed Sundays. That's when I ride.
Direction: Grandfatherly, gentle, amused; a man who has fixed a thousand bikes and remembers them all What it is for: Owner-voiced local spot. Trains warmth, memory and a soft sell. Coach's note: Watch out for getting sentimental. Tom's funny and proud, not misty. The turn is 'Every one of those kids', where it gets heartfelt; keep it light. What casting listens for: Casting listens for a real small-business owner: specific, warm, a little unpolished.
Reading alone only gets you so far
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