30 scripts written by us, free to practice with, record and put in your reel.
Every one lists voice age, accent and length, so you can pick a read that fits the audition you are chasing.
Thinking of selling this spring? Brookmere Realty lists it, stages it, and markets it like it's the only house on the block.
Because to us, it is.
Call Brookmere Realty today. Local agents. Serious results.
Direction: Upbeat, confident local announcer; a quick grin on 'it is' What it is for: A tight brokerage spot that trains landing a small joke inside fifteen seconds without losing the sell. Coach's note: Watch out for rushing 'Because to us, it is.' That line is the whole personality of the spot; take a beat before it and let it land dry, then snap into the tag. What casting listens for: Casting listens for confidence that stays friendly. Local real estate wants a neighbor with a firm handshake, not a game-show host.
Model Homes Open Sunday
New homesYoung adult (18-25)Neutral AmericanOne narrator15 secondsabout 13s
This Sunday, Wildrose Crossing opens four brand-new model homes.
Walk the kitchens. Pick your finishes. Picture the porch swing.
Wildrose Crossing, just off Route Nine in Carver Falls. Come home to something new.
Direction: Bright, inviting, a little breathless with excitement; slow down for the address What it is for: Event-driven new-build spot. Trains energy on the invitation and clarity on the location. Coach's note: Watch out for swallowing 'just off Route Nine in Carver Falls'. The address is what the client paid for; give it clean, even diction and a hair more time. What casting listens for: Casting listens for genuine warmth in a young voice. Excited is good; squeaky is not.
Some homes are never advertised at all.
They are simply... introduced.
Harrowgate Estates represents the region's most private properties, for clients who value discretion above all else.
Harrowgate Estates. By introduction.
Direction: Hushed, unhurried, understated privilege; almost a confidence shared across a dinner table What it is for: Trains the luxury 'less is more' read, where pauses do the selling. Coach's note: Watch out for filling the pause before 'introduced'. The ellipsis is the product: discretion. Hold it longer than feels comfortable, and do not lift the pitch on the tag. What casting listens for: Casting listens for effortless class. The moment it sounds like you are trying to sound posh, it is gone.
Apartment hunting shouldn't take all month.
Keystow Rentals shows you verified listings, lets you tour from your phone, and helps you apply in one go.
Find it Monday. Keys by Friday. Keystow Rentals.
Direction: Quick, casual, app-ad energy; a knowing little smile on the tag What it is for: Fast rental-app read. Trains a clean three-beat list at pace. Coach's note: Watch out for letting the pace blur the list. Each of the three features gets its own clean start. The tag is two contrasting halves: 'Find it Monday' up, 'Keys by Friday' settled. What casting listens for: Casting listens for a young, real voice that can move fast and still be understood on the first listen.
New job, new city, and a to-do list that won't quit?
Northwind Relocation handles the house hunt, the school search, and the moving trucks, so your family lands softly.
Northwind Relocation. Wherever next is.
Direction: Warm, capable, reassuring; the friend who has moved six times and has it handled What it is for: Trains a calm, competent read that turns a stressful list into relief. Coach's note: Watch out for reading the opening question as a complaint. It is empathy: you know the feeling. The relief arrives on 'so your family lands softly'; let the voice soften with it. What casting listens for: Casting listens for a voice you would trust with your kids' school search.
Mama always said Sunday dinner was for family. At Heronfield, it still is.
Bring the grandkids. Stay for pie.
Heronfield Senior Living. Independent living, with neighbors who feel like kin.
Direction: Easy Southern warmth, a grandmother smiling as she talks; no rush at all What it is for: Short senior-living spot. Trains warmth and a regional voice that sounds lived-in, not put on. Coach's note: Watch out for rushing to fit the time. Short spots tempt you to speed up; this one only works relaxed. 'Stay for pie' is a little aside with a grin in it. What casting listens for: Casting listens for authentic regional warmth and a voice the target resident would recognise as one of their own.
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Hi, I'm Barnaby Quint. Here's my promise. When you call, I answer.
Not my assistant. Not a voicemail that fills up by Tuesday. Me.
I've sold homes in Ashford Valley for twenty-two years, and I still drive every buyer to every showing myself. I know which streets flood, which schools just got a new principal, and which bakery sells out by nine.
Barnaby Quint Real Estate. Call me. I'll pick up.
Direction: Plain-spoken agent reading his own spot; dry humor, total sincerity on the promise What it is for: The agent-as-spokesperson read. Trains sounding like a real person, not an announcer, while still selling. Coach's note: Watch out for over-polishing it. Barnaby is not a voice actor, he is a guy you'd trust. The list of local knowledge should sound remembered, not recited, and 'Me.' is short and final. What casting listens for: Casting listens for believability. If they can hear the booth, you have played it too slick.
Okay. I'll be honest. I didn't know what escrow was. I thought a contingency was a kind of vegetable.
My agent at Fenwick Street Realty didn't laugh. Well, a little. But then she walked me through every single step, answered every text, and got me into a two-bedroom with a yard for my dog, Pickles.
I own a house. Me.
Fenwick Street Realty. First homes, first-class help.
Direction: Real first-time buyer, self-deprecating and giddy; the pride sneaks up on her What it is for: Comedic testimonial with an emotional button. Trains shifting from jokes to a genuine moment. Coach's note: Watch out for staying in joke mode through 'I own a house. Me.' That is the turn: stop performing and let it be a little disbelieving and proud. Then brighten for the tag. What casting listens for: Casting listens for a real person's rhythm. Stumbles in thought are welcome; stumbles in diction are not.
A Pantry That Closes
New homesAdult (25-40)Neutral AmericanOne narrator30 secondsabout 29s
Maybe you need an office that isn't the kitchen table. Maybe you need a guest room for the in-laws. Or maybe you just need a pantry that closes.
Tessaly Homes builds new single-family homes with three open floor plans, and a design studio where you choose everything from the cabinets to the doorknobs.
Energy-efficient. Built to last. And yours from the foundation up.
Tessaly Homes at Linden Point. Now selling phase two.
Direction: Friendly, bright, a young dad who gets it; builds from relatable to proud What it is for: Classic new-build spot built on three 'maybe' setups. Trains building a list to a comic peak. Coach's note: Watch out for hitting all three 'maybe' lines the same. They climb: practical, family, then the small joke. 'A pantry that closes' is the laugh; underplay it. What casting listens for: Casting listens for a relatable everyman who can still deliver the feature list with authority.
Till the Streetlights Come On
New homesAdult (30-45)Neutral AmericanOne narrator30 secondsabout 28s
Remember riding bikes until the streetlights came on? Knowing every kid on the block by name?
Pinecrest Point is bringing that back. Wide sidewalks. A park at the end of every street. A community pool where somebody's mom always has extra sunscreen.
New homes are now selling in Maple Hollow, with move-in ready homes available this fall.
Pinecrest Point. Go on. Let them ride till the lights come on.
Direction: Nostalgic, warm, a mom remembering her own childhood; light smile throughout What it is for: Nostalgia-led community spot. Trains painting a picture before the brand appears. Coach's note: Watch out for selling in the first paragraph. The opening is memory, not pitch. The sell begins at 'Pinecrest Point is bringing that back'; lift there, then come home soft for the last line. What casting listens for: Casting listens for a voice that can make the listener see something. Imagery first, information second.
There is a moment, just after sunset, when the whole bay turns to copper. Most people only ever see it from the water.
At Seabright Residences, you'll see it from every room. Floor-to-ceiling glass. Private elevators. A rooftop terrace with a view the city hasn't built high enough to block.
Only twenty-four residences, every one facing the bay. Private viewings by appointment.
Seabright Residences. Above it all, quietly.
The house at Wexcombe was built in eighteen twelve. It has survived two wars, one fire, and a family of very determined peacocks.
It now needs someone new to love it.
Aldwyn and Vane has represented England's finest country homes for three generations. We don't simply sell houses. We find their next chapter.
Wexcombe House is now available by private viewing.
Aldwyn and Vane. Where remarkable homes change hands.
Direction: Warm, wry English country-house charm; the story first, the sell almost an afterthought What it is for: Heritage-property spot with humor. Trains dry British wit inside a prestige read. Coach's note: Watch out for playing the peacocks for a big laugh. It is a raised eyebrow, not a punchline. The emotional line is 'It now needs someone new to love it'; give it its own space. What casting listens for: Casting listens for authority with a twinkle. Prestige brands want charm, not stiffness.
My roommate has a pet snake named Gerald. Gerald gets out. A lot.
So I'm moving to Larkspur Commons. One-bedroom apartments that are actually mine. In-unit laundry. A gym that's open at five a.m., not that I'll use it. And a maintenance team that answers the app in, like, an hour.
No roommates. No Gerald. My own place, at last.
Larkspur Commons apartments. Now leasing on Hadley Avenue.
Direction: Deadpan, slightly traumatised twenty-something; relief builds into the tag What it is for: Comedic apartment spot. Trains deadpan delivery and a running gag that pays off. Coach's note: Watch out for punching the snake joke. Deadpan means you believe it is a serious problem. 'Not that I'll use it' is a quick aside, and 'No Gerald' is quiet triumph. What casting listens for: Casting listens for comic timing that doesn't wink at the audience.
Owning a rental shouldn't mean answering midnight calls about a dripping faucet.
Thistle and Stone Property Management screens your tenants, collects the rent, handles the repairs, and sends you one clear statement every month. You keep the investment. We keep the headaches.
Whether it's one condo or forty units, you'll have a manager who knows your property by name.
Thistle and Stone. Own the property. Not the phone calls.
Direction: Steady, businesslike, quietly sympathetic to the owner's headaches What it is for: B2B-leaning spot aimed at landlords. Trains a grounded, trustworthy business read. Coach's note: Watch out for making the list of services sound like a brochure. Each item is a problem taken off the owner's plate; land 'We keep the headaches' with a small, dry smile. What casting listens for: Casting listens for dependable authority. Think accountant you like, not salesman.
Downsizing? Please. I'm upsizing. Upsizing my free time.
At Meadowlark, somebody else shovels the walk. Somebody else fixes the dishwasher. And I finally have time for watercolor class, the Tuesday walking group, and beating Harold at bridge. Harold hates that.
Meadowlark Senior Living. Independent living apartments, great dining, and a calendar full of things you actually want to do.
Call for a tour. Tell them Dot sent you.
Direction: Feisty, funny, delighted with her life; a woman who wins at bridge and knows it What it is for: Character-driven senior-living spot. Trains playing a confident older character without caricature. Coach's note: Watch out for playing 'old lady' instead of Dot. She is sharp and busy. 'Harold hates that' is thrown away, and 'Tell them Dot sent you' is a wink, not a shout. What casting listens for: Casting listens for vitality in a mature voice. Senior-living clients want residents who sound alive, not frail.
CLAIREMom, you've been at Ashling Gardens three weeks. How is it really?
RUTHHonestly? I haven't had time to call you.
CLAIREThat's... good?
RUTHMonday is chair yoga. Tuesday, the garden club. Wednesday, a man named Frank tried to teach me poker.
CLAIRETried?
RUTHI took eleven dollars off him.
CLAIREMom!
RUTHSweetheart, I'm happy here. Now hang up. Book club starts in five.
CLAIREAshling Gardens Senior Living. Come see why she won't call back.
Direction: Adult daughter (40s), anxious and checking in; mother (70s), breezy and far too busy to talk What it is for: Two-voice comedy that flips the worried-family trope. Trains quick cue pickup and a status reversal. Coach's note: Watch out for the daughter playing it for laughs. She is genuinely worried, which is what makes Ruth's answers funny. Ruth drives the scene; the eleven dollars is pure pride. Pick up cues fast. What casting listens for: For duets, casting listens for real listening and a clear relationship in the first two lines.
When you hire the best person for the job, the last thing they need is three months of moving stress.
Waymarker Relocation helps companies move their people. Home sales and home searches. Temporary housing. Support for a spouse's job hunt, and guidance on schools. One coordinator, from the first call to the first day.
Because your new hire should be thinking about the work, not the moving boxes.
Waymarker Relocation. Move people forward.
Direction: Crisp, corporate, confident; talking to HR directors, not homeowners What it is for: B2B relocation spot. Trains a clean corporate read that still sounds human. Coach's note: Watch out for going flat and 'corporate'. Business listeners are still people. The key line is 'thinking about the work, not the moving boxes'; contrast the two halves. What casting listens for: Casting listens for credible business authority that doesn't drift into monotone.
Selling in Brisbane? Here's the thing about auction day. It's loud, it's fast, and it's one of the best days of your life, if you've got the right agent.
At Wendover Realty, we campaign your home for four weeks, fill the street with buyers, and run the auction ourselves. No handing it off to a stranger.
We've sold a lot of homes on the northside, and we still get nervous. In a good way.
Wendover Realty. Going, going, gone right.
Direction: Laid-back Aussie energy that builds; an auctioneer's grin on the tag What it is for: Australian real-estate spot built around auction culture. Trains a natural regional read with rising energy. Coach's note: Watch out for flattening the build. The first paragraph climbs with the auction-day buzz, the second is solid and trustworthy, and 'we still get nervous' is honest and a bit sheepish. What casting listens for: Casting listens for a genuine Australian voice with warmth, not a stage 'g'day mate'.
Now. You've been saying it for years. 'One day we'll move back home.'
Well. There's a stone cottage outside Westport with a red door, a turf fire, and a view of the mountain from the kitchen sink.
At Doyle Property, we help people come home. We'll show you round on a video call, sort out the paperwork, and have the kettle on when you land.
Doyle Property. Your one day starts now.
Direction: Warm, teasing, homely Irish lilt; like a cousin on the phone from home What it is for: Emotional-pull spot aimed at the Irish diaspora. Trains intimacy and a soft sell. Coach's note: Watch out for over-egging the accent or the sentiment. It is a friendly nudge, a bit of a slag, then an honest invitation. The turn is 'we help people come home'. What casting listens for: Casting listens for an authentic Irish voice and a smile you can hear.
The Island Debate
New homes, duetAdult (25-40)Neutral AmericanTwo narrators (duet)30 secondsabout 35s
Cast: DEVMAYA
DEVWe agreed. No island.
MAYAWe agreed we'd think about the island.
DEVWhere would I put my bike?
MAYANot in the kitchen, Dev.
DEVFine. Quartz or butcher block?
MAYAYou're choosing countertops for an island you don't want?
DEVI'm choosing countertops for an island I'm losing an argument about.
MAYAAt the Foxglove Lane Homes design studio, you pick every finish in your new home.
DEVEven the bike hooks?
MAYAGarage, Dev.
DEVFoxglove Lane Homes. Now building in Oakridge Meadows.
Direction: Married couple at a design studio, affectionate bickering; fast, overlapping energy What it is for: Two-voice comedy for a builder's design studio. Trains rhythm, cue pickup and playing an argument with love under it. Coach's note: Watch out for letting the argument get real. They are enjoying it. Maya is winning from the second line; Dev knows it by 'losing an argument about'. Keep cues tight, and the brand line from Maya is just a hair warmer. What casting listens for: For duets, casting listens for chemistry and timing: do the jokes land because you listened?
Found your next house, but haven't sold this one yet? That's the knot most movers get stuck in.
Goldmere Home Group untangles it. We'll help you line up the timing, prep your current home to sell, and write offers that give you room to breathe. One team, both sides of the move.
Less juggling. Less guessing. And no sleeping on your sister's couch.
Goldmere Home Group. Your next move, in the right order.
Direction: Bright, smart, problem-solver energy; a knowing laugh on the sister's couch What it is for: Problem-solution brokerage spot. Trains setting up a knot clearly, then untying it with confidence. Coach's note: Watch out for explaining too hard. The listener already knows the problem; name it and move. The sister's couch is a quick relatable laugh, then land the tag plainly. What casting listens for: Casting listens for smart, likeable confidence: the agent you'd want in your corner.
Looking for a flat in Edinburgh? Aye. So is everybody else.
That's why Glenarden Lettings phones you the minute something comes up that fits. Not an email three days later. A call. Before it's even on the website.
We'll book the viewing, check for damp, and tell you honestly if that 'cosy' second bedroom is really a cupboard.
Glenarden Lettings. Straight answers. And first dibs.
Direction: Dry, friendly Edinburgh wit; brisk and honest What it is for: Scottish lettings-agent spot. Trains natural regional humor with a clear sell. Coach's note: Watch out for leaning on 'Aye' as a gag. It is just how he talks. The best line is the 'cosy' cupboard; put air quotes in the voice, not a big laugh. What casting listens for: Casting listens for a real Scottish voice that the rest of the UK finds warm and easy to follow.
We raised three kids in that house. Forty-one years. The pencil marks are still on the pantry door, where we measured them every birthday.
After my wife passed, I knew it was too much house for one old man. But I couldn't bring myself to call anyone.
My daughter found Laura, at Cobblestone Key Realty. Laura came over, sat at our kitchen table, and just listened. For an hour, she didn't mention the market once.
She didn't rush me. When I was ready, she found a mover who knew how to pack forty years of a life. She painted around the pantry door, and asked the new family if they'd keep it.
They did. They've got a little boy. His first mark is right under my youngest's.
I'm in a condo by the lake now. It's the right size.
Cobblestone Key Realty. We know it's more than a house.
Direction: Quiet widower's testimonial; gentle, unhurried, a little gravel; gratitude, not grief What it is for: Long emotional testimonial for a local brokerage. Trains restraint and pacing across a full minute. Coach's note: Watch out for playing the loss. He has made his peace; the emotion sits in the details, like the pencil marks. The turn is 'She didn't rush me'. Keep the tag simple and warm. What casting listens for: Casting listens for honesty and control over sixty seconds. Understatement books this job.
Out here, the morning comes up over the ridge like it's got nowhere else to be.
You hear the creek before you see it. Then the hawks. Then nothing at all, for miles.
Ridgeline Ranch Properties represents working ranches, horse properties, and wide-open acreage across the high country. We know the land, because we live on it, and we love it. We'll walk every fence line with you, explain the water rights in plain English, and tell you straight which road washes out in spring.
Maybe you want cattle. Maybe you want a cabin and a porch and a good dog. Maybe you just want to hear yourself think again.
Whatever brings you out here, we'll help you find the piece of country that fits.
This isn't a lot. It's a life.
Ridgeline Ranch Properties. Find your ground.
Direction: Big-sky Western drawl, slow and wide open; the landscape does the talking What it is for: Long-form ranch and land spot. Trains letting imagery breathe and pacing a slow read so it never drags. Coach's note: Watch out for running out of time because you savoured the first half. The pictures are slow, but the practical paragraph (acreage, water, access) moves. The turn is 'This isn't a lot. It's a life.' What casting listens for: Casting listens for a voice with open space in it, and the control to keep a slow read moving.
Built by a Neighbor
New homesAdult (40-55)Neutral AmericanOne narrator60 secondsabout 62s
Hi. I'm Joanne Pryor, and I've been building homes in this valley for most of my life.
My dad was a framer. I learned to swing a hammer before I learned to ride a bike. So when I started Canopy Hill Homes, I made myself one promise. Build every house like my own family was moving in.
That means the stuff you'll never see. The extra insulation in the walls. Ductwork sealed properly, so your upstairs isn't an oven in July. Windows that actually keep the winter out.
And the stuff you will see. Big kitchens, real mudrooms, and back yards with room for a garden and a swing set.
We're now building our newest neighborhood at Canopy Hill, on the north side of Millbrook. My own mother lives in one of our homes. She calls me when anything squeaks. Nothing has.
Come walk the models this weekend.
Canopy Hill Homes. Built by a neighbor.
Direction: Founder reading her own spot; proud, practical, down-to-earth builder who has swung a hammer What it is for: Owner-spokesperson spot for a local builder. Trains credibility and pride without bragging. Coach's note: Watch out for reading it as an announcer. She is a builder; the details (the ductwork, the extra insulation) should sound like things she cares about. The turn is 'my own mother lives in one'. What casting listens for: Casting listens for authenticity: a voice that sounds like it has stood on a job site in the rain.
THEOWelcome to Ivywood. I'm Theo. So, what brings you in?
PRIYAMy current place has a radiator that screams. Like, actual screaming.
THEOOurs hum. Very politely. This way. Here's the lobby, with package lockers, so nothing walks off your doorstep.
PRIYAOkay. That's... nice.
THEORooftop garden. Residents grow tomatoes up there. Mrs. Alvarez will give you some whether you want them or not.
PRIYAI kind of want them.
THEOEveryone does. And here's the one-bedroom. Nine-foot ceilings. In-unit washer and dryer.
PRIYANo laundromat?
THEONever again.
PRIYAIs it quiet?
THEOQuieter than a screaming radiator. Thick walls, good windows.
PRIYAWhat's that?
THEOThat's the window seat. It gets sun all afternoon.
PRIYAOh, I'd live in that window seat.
THEOMost people do. Pets welcome, by the way.
PRIYATheo. Where do I sign?
THEOIvywood Apartments, on Garner Street. Tours every day, and the tomatoes are free.
Direction: Skeptical young renter touring with an upbeat leasing agent; she thaws as he wins her over What it is for: Two-voice tour spot. Trains a character arc across a minute and an agent who sells without being slimy. Coach's note: Watch out for Theo playing a salesman. He is proud of the building and a bit of a nerd about it. Priya's arc is the spot: guarded, then grudging, then sold on 'That's the window seat'. Let her pauses breathe. What casting listens for: For duets, casting listens for a believable arc and reactions that are actually reactions.
For two years, I told myself Dad was fine on his own.
He wasn't. He was skipping meals. He'd stopped driving, so he'd stopped going anywhere. And the day he fell on the back steps, he waited three hours before he called me, because he didn't want to be a bother.
So we toured Sycamore House. I felt like I was letting him down. Like I was giving up on him.
Then I visited on a Tuesday.
He was on the front porch, in the middle of a domino game, arguing with a retired mail carrier named Luther about who cheated. He had a haircut I didn't arrange. He had friends.
The staff there know he takes his coffee black, and that he'll say no to help the first time, so they ask twice.
I didn't give up on my dad. I gave him his porch back.
Sycamore House Assisted Living. Come for a visit, and stay for dominoes.
Direction: Grown son, reflective and a little guilty at first, then relieved; honest, conversational What it is for: Adult-child testimonial for assisted living. Trains an honest emotional shift from guilt to peace. Coach's note: Watch out for staying heavy all the way through. The guilt is real in the first half, but the turn at 'Then I visited on a Tuesday' lifts the whole read. The domino game is the laugh that proves he's okay. What casting listens for: Casting listens for a believable adult child: the actual decision-maker senior living is talking to.
When you're a military family, you learn to live out of boxes. We've moved six times in nine years. I can pack a kitchen in forty minutes. I have labeled a box 'Misc, Do Not Open, Seriously.'
So when the orders came through for Fort Carson, I figured I knew the drill. Then a friend told me about Landfall Relocation.
They found us a rental near base before we'd even left Georgia. They sent us a list of pediatricians taking new patients, and they knew which school had a spot in the second grade for my son. On moving day, somebody met the truck, because my husband was already on duty and I had three kids and a very anxious beagle.
For the first time, a move felt like it was happening for us, not to us.
Landfall Relocation. Built for military families, by people who've lived it. Welcome home, wherever that is this time.
Direction: Military spouse testimonial; practical, funny, tough; warmth underneath the grit What it is for: Relocation testimonial for military families. Trains quick-witted humor with a sincere emotional button. Coach's note: Watch out for rushing the list of past moves. It is a comic brag; give each base its beat. The real turn is 'the first time a move felt like it was happening for us'. Slow down there. What casting listens for: Casting listens for a real-world voice with humor and backbone. This audience can smell a fake instantly.
Hey, Riverton! It's The Kowalczyk Team! That's Ko-WAL-chick. Don't worry, you don't have to spell it. You just have to call it.
We are hungry. We are local. And we are selling homes all over the Riverton area, seven days a week.
Here's how we're different. When you list with The Kowalczyk Team, you get a professional photographer, a video walkthrough, and a marketing plan built for your street. Not a sign in the yard and a prayer.
Last spring, the Hendersons called us on a Monday. By Saturday, they had a full open house and more than one offer to choose from. Mrs. Henderson baked us cookies. We accept cookies.
Buying? We'll get you in the door before the other guys even see the listing.
So call The Kowalczyk Team. Or text us. Or honk when you drive by the office on Fifth Street. We'll wave.
The Kowalczyk Team. Say it with us. Ko-WAL-chick. Sold!
Direction: High-energy local radio, a big friendly shout; pure hometown hustle with a laugh on the name What it is for: Full-tilt local radio read for a real-estate team. Trains sustained energy, clean diction at speed and hitting a name repeatedly. Coach's note: Watch out for blowing out in the first ten seconds with nowhere left to go. Pace the energy: the story in the middle ('Last spring...') drops to conversational, then build back to the final name call. What casting listens for: Casting listens for stamina and clarity at high energy, plus a brand name that is crystal clear every time.
You started in your garage. Then the spare room. Then a folding table at the Saturday market.
Now you're ready for a real storefront. And suddenly, everybody's talking about square footage, zoning, and build-out costs, like you're supposed to know what those mean.
That's where Duvall and Associates comes in.
We help small and growing businesses find commercial space that fits. Storefronts, offices, studios, warehouses, and that funny little building on the corner you've always had your eye on. We'll check whether the space is actually zoned for what you do, negotiate the lease terms in your favor, and tell you what the build-out will really take before you sign a thing.
Because the right space changes everything. Your customers find you. Your team has room to grow. And you finally get your garage back.
Duvall and Associates. Commercial real estate for the businesses that make this town what it is.
Direction: Sharp, encouraging, entrepreneurial; talking one owner to another What it is for: Commercial-property spot aimed at small-business owners. Trains a confident business read that stays warm. Coach's note: Watch out for letting the jargon (square footage, zoning, build-out) sound like jargon. She translates it as she goes. The turn is 'the right space changes everything'; give it real conviction. What casting listens for: Casting listens for smart, grounded confidence that a business owner would trust with a ten-year lease.
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