30 scripts written by us, free to practise with, record and put in your reel.
Every one lists voice age, accent and length, so you can pick a read that fits the audition you are chasing.
The inbox can wait. The group chat can wait. The trail cannot.
Meet the Cairnway Summit, the rugged outdoor watch built for the long way round. Satellite GPS that finds you where the signal gives up. A battery that outlasts the weekend. And a case tough enough to take the fall you swore you would not take.
So leave the laptop. Pack the boots. Let the mountain do the talking.
Cairnway. Go further. Come back lighter.
Direction: Easy, outdoorsy, a little wry up top; open and free by the tag What it is for: Lifestyle tech read: selling a feeling first and the features second. Watch out for: Rattling the features off like a spec sheet. GPS, battery and case are three different pleasures; give each its own picture. The turn is 'So leave the laptop'. What casting listens for: Casting listens for whether you sound like someone who actually goes outside, not someone reading about it.
Somewhere, right now, a glacier is moving. Slowly. Patiently. The way it has for ten thousand years.
Somewhere, a city is waking up. Streetlights going off one by one, like someone blowing out candles.
And somewhere, a kid at a kitchen table is about to see all of it.
This is Terrasphere. The whole planet, in three dimensions, in the palm of your hand. Fly over the coastline you grew up on. Walk the streets of a town your grandmother only talked about. Watch forests, rivers and shorelines change across decades, layer by layer, and begin to understand what that change means.
It is not a map. A map tells you where things are.
Terrasphere shows you why they matter.
Download it free today, and see just how big your world really is.
Terrasphere. Look closer.
Direction: Deep, unhurried, documentary wonder; no announcer push What it is for: Long-form brand storytelling. Holding a big, slow idea for a full minute without sagging. Watch out for: Going epic on the first line. Start small and curious; the wonder builds. The turn is 'It is not a map', so drop the scale there and get personal. What casting listens for: Casting listens for restraint in a deep voice. The ones who book let the pictures do the work.
Long day? Let the room catch up with you.
Lumora smart bulbs shift from bright and busy to soft and golden with a single tap. Or a word. Or nothing at all.
Lumora. Light that listens.
Direction: Soft, close to the mic, exhaling into the evening What it is for: A short, intimate read. Warmth at low volume, finished in fifteen seconds. Watch out for: Whispering. Soft is not breathy. The little comic beat is 'Or nothing at all'; let a smile in there. What casting listens for: In a fifteen, casting hears two things: the first line and the tag. Make 'Light that listens' feel like a promise.
Zero. To gone.
The new Arcline Vanta. All electric. All torque. All at once. Range that laughs at your commute and acceleration that rearranges your face.
Book a test drive, if you can handle it. Arcline Vanta.
Direction: Punchy, grinning, adrenaline; land every full stop What it is for: High-energy launch copy built from fragments. Trains attack and precise stops. Watch out for: Blurring the fragments into one shout. 'Zero. To gone.' is two hits, not one. Pull back slightly on 'if you can handle it'; the dare works better cool. What casting listens for: Casting wants energy with control. If every word is loud, nothing is.
Okay, you know that photo? The one where everyone is squinting and somebody's thumb is in the corner? Let's retire it.
Meet the Hoverly Air, the pocket drone that makes you look like you hired a film crew. Unfold it, tap once, and it lifts off, follows the action and frames the shot for you. Beach days. Birthday chaos. The whole family on the dock, finally all in frame.
Hoverly Air. Your memories, from a better angle.
Direction: Bubbly, real, talking to a friend; the joke first, then the joy What it is for: Conversational comedy into a product sell. Trains the shift from bit to benefit. Watch out for: Staying in the jokey register for the whole spot. The turn is 'Meet the Hoverly Air'; the list after it should feel like actual memories, not features. What casting listens for: Casting listens for a real person. If you sound like you are reading 'somebody's thumb is in the corner', you have lost it.
Close your eyes. Now open them somewhere else.
The Portalis One headset takes you out of the living room and into worlds that have no business being this real. Duck under laser fire. Climb a cliff face with your own hands. Sit courtside with a friend who lives three time zones away.
No cables. No console. Just you, and wherever you decide to go next.
Portalis One. The room is only the beginning.
Direction: Low, resonant, a hint of mystery; lift into excitement on the action list What it is for: Atmospheric tech read. Moving from hush to energy and back inside thirty seconds. Watch out for: Staying spooky all the way. The action list ('Duck under laser fire...') wants pace and a grin. Settle again on 'Just you'. What casting listens for: Casting listens for range inside one spot. Three colours in thirty seconds is the job.
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You look after everybody. The kids, the team, your mother's calendar. So who's looking after you?
The Halden Watch keeps a quiet eye on the everyday things that add up. Your steps. Your workouts. Your sleep. A gentle nudge to stand up, breathe, drink some water. And when life calls, it is right there on your wrist, so you never have to choose between being present and being reachable.
Halden. A little care, every hour.
Direction: Warm, empathetic, one tired parent to another What it is for: Empathy-led sell. Trains asking a real question and waiting for the answer. Watch out for: Making the opening list sound like a complaint. It is affectionate. The question 'So who's looking after you?' is the turn; give it a beat before and after. What casting listens for: Casting listens for warmth that isn't sugary. Think friend, not nurse.
Listen.
That is the sound of nothing. No engine drone. No office chatter. No stranger's phone call about his gutters.
The Aurelle Quiet headphones fold the world away and leave only what you came for. The breath before a singer's first note. The bow finding the string. A bass line you could lean against.
Soft leather, brushed aluminium, and comfortable enough to forget you are wearing them.
Aurelle Quiet. Hear everything. Hear nothing else.
Direction: Refined, intimate, dry wit; luxury without pomp What it is for: Premium audio copy. Trains silence as a tool and a dry comic aside. Watch out for: Rushing the opening. 'Listen.' needs a real pause after it. The gutters joke is throwaway, not a punchline. The turn is 'fold the world away'. What casting listens for: Casting listens for luxury that doesn't sound pleased with itself.
Load screens? Gone. Lag? Gone. Your excuses? Also gone.
The Hexfire V console. Ridiculous graphics, instant loading, and a controller that rumbles like it means it.
Your next world is waiting. Hexfire V. Press start.
Direction: Hype, cocky, fun; the third 'gone' is the joke What it is for: Rule-of-three comedy at speed. Trains timing the third beat. Watch out for: Hitting all three 'gone's the same. The third one ('Your excuses? Also gone.') is the laugh; change the colour. What casting listens for: In gaming spots casting wants a player, not an announcer. Sound like you own the console.
Hands full of groceries? Just say so.
The Oriel Home Hub turns your voice into the remote for your whole house. Lights on. Heat up. Front door locked. Ask it what's for dinner, set a timer for the pasta, and play the playlist that makes chopping onions almost fun.
No apps to dig through. No manual to read. Just talk the way you already do.
Oriel Home Hub. Say the word.
Direction: Friendly, confident, conversational; the girl next door who has it sorted What it is for: Everyday conversational read. Trains lists that sound like life, not features. Watch out for: Punching 'Lights on. Heat up.' like commands. They are casual. The turn is 'No apps to dig through'; that is the relief line. What casting listens for: Casting listens for ease. If it sounds effortful, the product sounds effortful.
The Big Night In
Home entertainmentMature (55+)Neutral AmericanOne narrator60 secondsabout 56s
There is a moment, just before the film starts, when the lights go down and the whole room goes quiet.
You remember it, probably better than the film itself. Popcorn on your lap. Somebody still whispering. Then the screen fills up and, for two hours, you are somewhere else.
We built the Lanterna Vista for that moment.
A screen so deep that night skies actually look like night. Color so true you will notice the freckles on an actor's cheek. And sound that fills the room without shaking the neighbors off their couch.
It is not about more pixels, or bigger boxes. It is about forgetting that you are watching a television at all.
So dim the lights. Call the family in. Pass the bowl to the left.
The Lanterna Vista. Come for the picture. Stay for the night.
Direction: Warm, nostalgic storyteller; the smile arrives on 'Pass the bowl to the left' What it is for: Nostalgia-led long form. Trains memory as a sales tool. Watch out for: Selling the specs. The feature paragraph is still part of the memory; keep the storyteller's voice. The turn is 'We built the Lanterna Vista for that moment'. What casting listens for: Casting listens for a grandfather they would actually want to watch a movie with.
Stop Scrolling
Home entertainment, duetAdult (25-40)Neutral AmericanTwo narrators (duet)30 secondsabout 31s
Cast: JESSDAN
JESSOkay. What are we watching?
DANI thought you picked.
JESSI picked last night.
DANThat was forty minutes of scrolling. That's not picking.
JESSFine. Just ask it.
DANAsk the remote?
JESSIt's the Reelhouse Stick. Just ask.
DANUh. Something funny, under two hours, no subtitles.
JESS...Oh. That's actually good.
DANWow. I am a genius.
JESSIt's a genius. You're a man holding a remote.
DANReelhouse. Stop scrolling, start watching.
Direction: Couch banter, fast and affectionate; let the lines overlap in rhythm What it is for: Two-voice comedy. Trains quick cue pickup and playing a relationship. Watch out for: Leaving gaps between lines. Pick up cues tight. The turn is Jess's '...Oh.' when the suggestion is actually good; that small surprise sells the product. What casting listens for: In duets casting listens to whether you listen. React to the line before yours.
Five a.m. Cold. Dark. Your legs are not convinced.
Pop in Rovo Run buds and let the beat make the argument. Sweatproof, secure, and they stay put on the hills.
Rovo Run. Your legs will thank you. Eventually.
Direction: Bright, breathy energy, a runner mid-warm-up; deadpan on 'Eventually' What it is for: Short sport spot with a comic button. Trains a fast build and a dry finish. Watch out for: Starting at full energy. Begin cold and groggy like the morning, then let the beat kick in on 'let the beat make the argument'. What casting listens for: Casting listens for the accent holding on the fast middle line.
Picture it. Sand in your shoes, sun going down, the whole crew on the beach. And somebody's phone is playing music through its own tiny speaker. Tragic.
Enter the Driftwave Go. Clip it to a bag, toss it in a cooler, drop it in the surf. It floats, it's waterproof and it plays all day on a single charge. And it is loud. Like, bonfire-party loud.
Driftwave Go. Bring the sound.
Direction: Laid-back, sun-drunk, then genuinely hyped What it is for: Youth lifestyle read. Trains casual delivery that still lands the sell. Watch out for: Overplaying 'Tragic.' It is a mock-sad aside, not a punchline shouted to the back row. The turn is 'Enter the Driftwave Go'. What casting listens for: Casting wants the friend with the good playlist, not a radio DJ.
You took four hundred photos at the wedding. How many are on your fridge? Exactly.
The Printo Pop is the instant camera that actually gets pictures into your hands. Point, click, and in seconds there's a real print, still a little warm, ready for a scrapbook, a wallet, or your best friend's bedroom mirror.
Fun colors, built-in flash, zero editing required.
Printo Pop. Print the good ones.
Direction: Playful, a little teasing; nostalgic warmth on 'still a little warm' What it is for: Calling out the listener with a smile. Trains the tease-then-deliver shape. Watch out for: Making 'Exactly.' mean. It is a friendly gotcha. The turn is 'actually gets pictures into your hands'. What casting listens for: Casting listens for charm. Tease like you are on the listener's side.
I've been photographing the same stretch of coastline for twenty years.
Same rocks. Same lighthouse. Same stubborn gulls. You'd think I'd have run out of pictures by now.
But the light is never the same twice. Some mornings it comes in low and gold, and you've got maybe ninety seconds before it's gone. Miss it, and you wait for tomorrow. Or next year.
That's why I carry the Merrow M7. It wakes up the second I lift it. It focuses before I've finished thinking about it. It shoots in the kind of low light that used to send me home. And it's light enough that I never leave it in the car.
It doesn't take the picture for me. It just never gets in the way.
The Merrow M7 mirrorless camera. For the ninety seconds that matter.
Direction: First-person testimonial, quiet, observant, no sell in the voice What it is for: Real-person testimonial style. Trains sounding unscripted over a full minute. Watch out for: Turning it into an ad once the product name appears. He talks about the camera the way he talks about the coastline. The turn is 'It doesn't take the picture for me'. What casting listens for: Casting for real-person spots listens for the moment you stop sounding like an actor.
Let's be honest. Nobody has ever enjoyed vacuuming. Not once. Not in the history of floors.
So hand it over. The Dustwick Roam maps your home, glides under the couch, hugs the corners, and handles the pet hair you've been politely ignoring. Then it empties itself and heads back to its dock, like a very small, very tidy roommate.
And you? You're on the couch. Feet up. Supervising.
Dustwick Roam. Clean floors, no effort.
Direction: Dry, deadpan, conspiratorial; the smallest smile on 'Supervising' What it is for: Dry comedy. Trains understatement and the unforced laugh. Watch out for: Pushing the jokes. Dry means flat on the surface with a wink underneath. 'Not in the history of floors' is the first laugh; don't wait for it. What casting listens for: Casting listens for timing. A dry read that rushes is just a flat read.
Crispy fries in fifteen minutes. Wings with that crunch. Last night's pizza, somehow better than last night.
The Toastly Air Crisper does it all with a spoonful of oil and zero preheating drama. Six presets, a big basket for the whole family, and a dishwasher-safe tray, because nobody wants to scrub after dinner.
Stop waiting on the oven. Start eating.
The Toastly Air Crisper. Crunch time, any time.
Direction: Big appetite, upbeat, food-lover energy; savour the food words What it is for: Food-appliance retail read. Trains making sensory words taste good. Watch out for: Racing through the food. 'Crispy', 'crunch', 'somehow better' need texture. The turn is 'Stop waiting on the oven'. What casting listens for: Casting listens for appetite. If they can't hear you wanting the fries, nobody else will.
My mama's refrigerator was avocado green, and it hummed like it was praying.
That door opened a thousand times a day. Sweet tea. Leftover ham. A pound cake somebody always brought when times were hard. Every report card I ever got went up on the front of it with a magnet shaped like a peach.
Kitchens change. Families don't, not really.
So when it came time to pick a new one, I wanted something that would earn its place. The Hearthmore French-door refrigerator has room for Sunday dinner and the week that follows. Crisper drawers that keep the greens fresh past Wednesday. Water and ice right in the door for the grandkids who can't keep their hands off it. And it's so quiet I sometimes forget it's there.
Just don't forget the magnets.
Hearthmore. Built for the heart of the home.
Direction: Warm Southern storyteller, porch-swing pace, gentle humour What it is for: Heritage storytelling for a big-ticket appliance. Trains pacing a memory into a product. Watch out for: Playing it folksy on purpose. The accent is hers, not a costume. The turn is 'Kitchens change. Families don't, not really.'; take a breath before it. What casting listens for: Casting listens for authenticity. Mature Southern reads book when they sound lived-in, not performed.
MOMSam, why is there a soccer uniform in the freezer?
SAMIt smelled. I read that cold kills smell.
MOMThat is not how any of this works.
SAMWell, the washer takes forever.
MOMNot anymore. The new Tumblewell does a full load in under an hour. Grass stains, mud, whatever that is.
SAMIt's pizza.
MOMIt was pizza.
SAMSo can I take the uniform out of the freezer?
MOMPlease. Tumblewell washers. Clean, fast, done.
Direction: Family sitcom energy: exasperated mom, unbothered teenage son What it is for: Two-voice family comedy. Trains playing status and exasperation without shouting. Watch out for: Mom yelling. She is baffled, not angry. The turn is 'Not anymore', where she becomes the product's champion. Sam should play it totally sincere. What casting listens for: Casting listens for believable family chemistry. Teen voices that sound twelve or thirty don't book.
Footsteps. Behind you. Left side. Second floor.
With the Vexa Strike gaming headset, you hear it before they see you. Spatial audio that paints the whole map in sound. A crystal-clear mic so your squad actually hears the callout, not your little brother's cartoons. And cushions soft enough for the all-nighter you promised you wouldn't pull.
Hear first. React first. Win.
Vexa Strike. Every sound is a clue.
Direction: Tense whisper up top, then fast and fired up What it is for: Gaming peripheral read. Trains starting in-game tension and breaking into the sell. Watch out for: Staying in the whisper too long. The opening is four quick clues; break out on 'With the Vexa Strike'. The little brother joke is quick. What casting listens for: Casting listens for gamer credibility. Say 'callout' and 'squad' like you use them.
Your thumbs have been carrying the team for years. Give them an upgrade.
The Thumbcraft Pro controller. Remappable back buttons, hair-trigger response, and a grip that stays put when things get sweaty.
Thumbcraft Pro. Your thumbs earned this.
Direction: Mock-heroic, affectionate, quick What it is for: A fifteen with a comic premise. Trains committing to a silly idea at speed. Watch out for: Winking too hard. Play the thumbs as genuine heroes. The spec line is quick and clean; the tag gets the warmth. What casting listens for: Casting wants personality in a tiny window. Commit to the bit on the first line.
It's small enough to forget. That's rather the point.
The Linnet Ring sits quietly on your finger, no screen, no buzzing, no fuss, and learns the shape of your days. How you slept. How much you moved. When you were running on empty and pretended otherwise.
Each morning, one simple score and one simple suggestion. Walk a little more. Go to bed a little earlier. Be a little kinder to yourself.
Linnet. Know yourself, gently.
Direction: Calm, kind, a touch of dry British humour What it is for: Wellness-adjacent read with no hard claims. Trains calm authority. Watch out for: Going spa-voice. Calm still has shape. 'When you were running on empty and pretended otherwise' is a knowing smile; the turn is the three 'a little' suggestions, each softer than the last. What casting listens for: Casting listens for trust. The listener should feel noticed, not lectured.
The first time she walked to school on her own, I watched from the porch until she turned the corner. Then I stood there another ten minutes, like that would help.
Now she wears a Tagalong. A kids' smartwatch with calls to approved numbers, location sharing, and no internet rabbit holes. She gets a little independence. I get a little peace of mind.
I still watch from the porch. Just not as long.
Tagalong. Let them go. Stay close.
Direction: Real dad, a little sheepish, tender under the humour What it is for: Parent testimonial. Trains honesty and self-deprecation. Watch out for: Sounding like a narrator. He is admitting something slightly embarrassing. The turn is 'Now she wears a Tagalong'; the last joke ('Just not as long') is the heart. What casting listens for: Casting listens for a dad, not a spokesperson. Keep the product lines as plain as the story.
Every big idea starts small.
A sketch on a napkin. A line of code at two in the morning. A melody hummed into a phone on the bus home.
For years, the tools got in the way. Too heavy to carry. Too slow to keep up. Too busy asking you to update, restart, plug in, wait.
Introducing the Corvid Slate.
Thin enough to vanish into a tote bag. Fast enough to keep pace with your fastest thought. A display so sharp your photos look like windows, and a battery that lasts from first coffee to last train.
Open it, and it's awake. Close it, and it waits, exactly where you left off.
No fanfare. No noise. Just a machine that gets out of the way, so the idea can get out of your head.
The Corvid Slate. Available this fall, wherever tech is sold.
Make the thing.
Direction: Cinematic, understated, confident; the space between lines is the design What it is for: Keynote-style launch film. Trains minimalism and letting silence carry. Watch out for: Adding hype. This is cool and quiet. The reveal 'Introducing the Corvid Slate' is the turn; don't announce it, present it. The two-word button is its own moment. What casting listens for: Casting listens for confidence without effort. The less you push, the more expensive it sounds.
The first record I ever bought was second-hand, a bit warped, and cost me a full week's pocket money.
I played it until the grooves went grey. I knew every crackle. Every scratch. Every skip. The little breath the singer took before the last chorus.
Somewhere along the way, music turned into something you scroll past. Thousands of songs, and none of them really yours.
The Fennick Deck is a proper turntable. Belt-driven, so the motor stays quiet and the music doesn't. A solid walnut plinth. A tonearm that sets down like it's afraid of waking someone. And a built-in preamp, so you can plug it straight into the speakers you already own.
Put a record on. Sit down. Don't skip anything.
You'll be surprised what you've been missing.
Fennick. Music you can hold on to.
Direction: Warm, wry Irish storyteller; fond, never sentimental What it is for: Heritage audio product in first person. Trains conversational long form with an accent. Watch out for: Getting misty. He is amused at his younger self. The turn is 'Somewhere along the way'; that is the only moment of real regret, then back to the craftsman's pride. What casting listens for: Casting listens for an accent that sounds like home, not an impression. Keep the consonants soft and natural.
Like a Biscuit Tin
Home entertainmentAdult (30-45)ScottishOne narrator30 secondsabout 32s
Here's a wee problem. Your telly is gorgeous. And it sounds like a biscuit tin.
The whispery bits are too quiet, the explosions are too loud, and you've worn the volume button smooth.
The Bellmoor Wide soundbar fixes all of that in one sleek line under the screen. Dialogue you can actually follow. Big moments that roll across the room. And one remote, so no more hunting down the sofa.
Bellmoor Wide. Finally, it sounds as good as it looks.
Direction: Cheeky Scottish charm, conversational, a mate at the pub What it is for: Problem-solution comedy with a regional accent. Trains keeping jokes light and quick. Watch out for: Leaning on the jokes. 'Sounds like a biscuit tin' is the setup, and the fix starts on 'The Bellmoor Wide soundbar'. Shift from moan to pride there. What casting listens for: Casting listens for a regional voice that stays clear on the product name. Every brand word must land.
Every Friday's a Premiere
Home entertainmentAdult (30-45)Neutral AmericanOne narrator60 secondsabout 56s
It started as a Friday thing.
One bedsheet, two clothespins, and a borrowed projector that sounded like a hair dryer. The kids thought it was the best night of their entire lives.
Now half the street shows up. With chairs.
The Porchlight Cinema projector makes backyard movie night easy. It's the size of a lunchbox, runs on its own battery, and throws a big, bright picture onto almost any wall, even before the sky's completely dark, and nobody has to squint. Streaming is built right in, and the speaker is plenty loud for the whole lawn.
Somebody always falls asleep before the ending. Somebody always asks to watch it again next week.
Set it on a stool. Point it at the garage door. Hand out the blankets.
That's how you know it worked.
Porchlight Cinema. Every Friday's a premiere.
Direction: Warm, amused mom telling a neighbourhood story; a little proud What it is for: Story-driven long form. Trains building a small scene into a product and back out. Watch out for: Losing the story in the spec paragraph. She is still bragging about her Fridays. The turn is 'Now half the street shows up'. The last line before the tag ('That's how you know it worked') is quiet. What casting listens for: Casting listens for whether the minute feels short. Keep it moving and keep it personal.
A thousand books. One hand. No glare at the beach and no lamp keeping him awake.
The Pagewell e-reader. Weeks on one charge, pages that feel like paper, and text as big as you like.
Pagewell. Just one more chapter.
Direction: Cosy, bookish, a private smile What it is for: Short warm read for a mature voice. Trains intimacy in a tight time slot. Watch out for: Speeding up to fit. The spot is short but the tone is slow; trim pauses, not warmth. The little joke is 'no lamp keeping him awake'. What casting listens for: Casting listens for a mature voice that sounds vital and funny, not frail.
GLORIAYou did. Two-fourteen. Brown box. Left by the fern.
TEDHow do you know that?
GLORIAMy Knockwise doorbell. I see my porch, and your fern, in crisp HD. From the bathtub if I like.
TEDThat is a lot of information about the bathtub.
GLORIAIt sends an alert to my phone the second someone steps up. Delivery, visitor, raccoon.
TEDWe have a raccoon?
GLORIAWe have three, Ted.
TEDThree?
GLORIAHarold, Maude and the little one. I haven't named the little one. Also, a very nervous pizza boy.
TEDSo where's my parcel now?
GLORIAIn my kitchen, safe and sound, next to the good biscuits. Come get it. I made coffee.
TED...I think I might get one of those doorbells.
GLORIAKnockwise. Know who's knocking. I'll text you the link.
Direction: Neighbourly comedy: nosy, delighted Gloria and slow-to-catch-on Ted What it is for: Long two-voice comedy. Trains sustaining characters and building a running joke. Watch out for: Gloria playing it sinister. She's thrilled, not creepy. The laughs come from Ted's reactions, so Ted must not rush. The turn is '...I might get one of those doorbells.' What casting listens for: Casting listens for two distinct characters over a full minute. Mature comedy duos are in demand.
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