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Cozy mystery audiobook scripts

30 original cozy mystery excerpts for narrators, with village sleuths, bakeries, bookshops and pets. Free to practice with, record and post.

Cozy mysteries usually come in long series, so a narrator who fits can stay with the same sleuth for many books. The voice is friendly, curious and a little amused. These excerpts cover British and Irish villages, bakeries, bookshops, knitting circles, gardening clubs, pet sidekicks and seaside towns. Each card has a coach's note.

The Lemon Drizzle Incident

Village, BritishMature (55+)Neutral BritishOne narrator1 minuteabout 64s
Nobody in Upper Tidbury had ever been murdered before, and Mrs. Winifred Plum felt strongly that it was bad manners to start at the church fete. "Winnie, you cannot stand there," said Constable Dobbs. "This is a crime scene." "It is the cake tent, Gerald. I have stood here every June since you were in short trousers." "There's been a death." "I am aware. I found him. Face down in the lemon drizzle, poor man, which I may say was not one of Marjorie's best." She lowered her voice. "Too dry. But that is not what killed him." "We don't know what killed him." "I do. Look at the table." He looked. Eleven cakes, each with a little numbered card. "There were twelve entries," said Mrs. Plum. "I counted them at nine. Somebody has taken a cake away, Gerald, and nobody steals a cake at a village fete unless there is something in it they would rather you did not taste."

What it is for: The classic village cozy. A formidable older sleuth running rings round a constable she has known since he was a boy.
Coach's note: Watch out for making Mrs. Plum fluttery. She is brisk and certain. Drop the voice for the cake gossip, then lift it straight back. The turn is 'I do. Look at the table.'
What casting listens for: Casting listens for warmth with authority, and a constable who is outmatched but not stupid.

The Scone of Contention

BakeryAdult (30-45)Neutral AmericanOne narrator1 minuteabout 68s
I opened the bakery at five that morning, same as always, and found three things that should not have been there. A broken window, an empty shelf where my recipe box lived, and the mayor's reading glasses in my flour bin. "Don't touch anything," said Detective Ortiz. "I have forty scones due at the bank by eight." "Tess. It's a crime scene." "It's a kitchen. I can be careful in a kitchen." I pointed with a spatula. "Whoever it was came in hungry. Look at the cooling rack." "What about it?" "One cinnamon roll gone, and they took a center one. Who reaches past the edge for the center roll?" "Somebody with taste?" "Somebody who's bought them before. That's a regular, Ray." I tied my apron. "And they left the cash drawer alone and took my grandmother's recipes. So it isn't about money. It's about the county fair." He stared at me. "You got all that from a cinnamon roll?" "I got it from which cinnamon roll," I said. "Coffee?"

What it is for: A bakery cozy with a chatty amateur sleuth. She reasons out loud while trying to get on with her morning.
Coach's note: Watch out for slowing down to explain the clues. Tess is busy and thinks fast. The detective is the one who slows things down. The turn is 'Who reaches past the edge for the center roll?'
What casting listens for: Casting listens for a likeable lead you would follow for ten hours, and an easy back-and-forth with the detective.

Purl One, Suspect Two

Knitting circleMature (55+)Neutral AmericanOne narrator1 minuteabout 62s
The Wednesday Night Knitters had been meeting above the hardware store for eleven years, and in that time they had solved one disappearance, two burglaries, and the mystery of who kept taking Doris's good scissors. "Well, it wasn't the nephew," said Doris, not looking up from her sleeve. "It's always the nephew," said Pearl. "Not this time. He was at the dentist. I checked." "You called his dentist?" "I am his dentist's aunt." Gladys, who was ninety and working on something enormous and orange, cleared her throat. The others went quiet. Gladys did not speak often, and when she did, somebody generally went to jail. "The gardener," she said. "Gladys, honey, they don't have a gardener." "No," Gladys agreed. "So who has been trimming that hedge?" Three sets of needles stopped at once. "Pearl," said Doris slowly, "get your car keys." "I'm mid-row." "Pearl." "Fine. But if I drop a stitch over this, somebody's paying."

What it is for: Three older women in one scene. Trains separating a bossy one, a grumbling one and a very old one who rarely speaks.
Coach's note: Watch out for giving all three the same 'old lady' voice. Use pace: Doris quick, Pearl dry, Gladys slow and low. The turn is Gladys clearing her throat.
What casting listens for: Casting listens for three distinct women with no narration tags to lean on, and comic timing on 'I'm mid-row.'

Biscuit Knows Something

Dog sidekickAdult (25-40)Neutral AmericanOne narrator45 secondsabout 47s
My dog has never once been wrong about a person, which is a problem, because right now he is growling at the nicest man in town. "Biscuit. Stop it. That's Mr. Fairweather. He runs the food drive." Biscuit does not stop it. "He's usually so friendly," I tell Mr. Fairweather. "Quite all right." He smiles and keeps his hands in his coat pockets. "Dogs can smell fear, isn't that what they say?" "I think he smells ham." "I don't have any ham." "No," I say slowly, looking at the mud on his very clean shoes, the same red mud as the museum garden. "I didn't think you did." Biscuit sits down, satisfied. Somebody has finally caught up.

What it is for: A pet-sidekick cozy. An embarrassed owner apologising for her dog while slowly realising the dog is right.
Coach's note: Watch out for playing Mr. Fairweather as an obvious villain. He is charming. The narrator's change happens mid-sentence on 'looking at the mud'. That is the turn.
What casting listens for: Casting listens for a thought landing in real time, and for light comedy that does not push.

Father Dolan's Bicycle

Village, IrishAdult (40-55)IrishOne narrator1 minuteabout 66s
When Father Dolan's bicycle was stolen from outside the church in Ballycarrow, the whole village agreed on two things. It was a disgrace, and Nuala Feeney would have it solved before the guards had found their hats. "I'm not involved," Nuala said, from behind the post office counter. "Of course you're not," said Sergeant Tierney. "I only happened to notice a few things." "Go on, so." "That bicycle has no brakes. Everyone in the parish knows it has no brakes. So it was taken by a stranger, or by a fool." "That narrows it to half the county." "And whoever it was went down the hill road. There's a hole in the Mulligans' hedge the shape of a man." The sergeant put away his notebook. "Would you not just tell me who it was, Nuala?" "I would not. That'd be gossip." She stamped a parcel. "But if you were to call on the young curate, I'd say he'd be glad to sit down. Carefully."

What it is for: An Irish village cozy. A postmistress who insists she is not gossiping while handing the sergeant the whole case.
Coach's note: Watch out for stage Irish. Keep it light and musical, not a cartoon. Nuala never admits anything directly. The turn is 'I would not. That'd be gossip.'
What casting listens for: They listen for an authentic lilt, a woman and a man clearly apart, and the smile on 'Carefully.'

Low Tide at Wattle Bay

Seaside townAdult (40-55)AustralianOne narrator1 minuteabout 66s
I run the fish and chip shop at Wattle Bay, which means I know three things about everybody in town. What they order, when they order it, and when they suddenly stop. "Bev, I'm a police officer," said Senior Constable Nguyen. "I can't arrest a bloke because he changed his order." "Twenty years, Kim. Flake and a small chips, every Friday at six. Then the week the surf club money goes missing, he's in here Tuesday ordering lobster." "Maybe he got a raise." "He's the treasurer. It's volunteer." She stopped chewing. "And he paid cash," I said. "New fifties. Still stuck together." "That's not evidence." "No, love, that's a hint. The evidence is he asked me for a receipt." I wrapped her order and slid it across. "Who wants a receipt for lobster? Somebody who's forgotten which money he's spending." Kim looked at her chips, and then out at the surf club, and sighed. "I was going to have a quiet weekend," she said.

What it is for: A seaside cozy. A fish and chip shop owner who solves things by knowing what everyone orders.
Coach's note: Watch out for overdoing the accent or the cheek. Bev is warm, blunt and sure of her facts. The turn is 'He's the treasurer. It's volunteer.'
What casting listens for: Casting listens for a natural Australian read and a sleuth who sounds like she is serving customers while she talks.

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Nineteen Years Overdue

Librarian sleuthAdult (40-55)Midwestern USOne narrator1 minuteabout 68s
In thirty years at the Alder Falls Public Library, I have learned that people will lie to their doctor, their spouse and their pastor, but they will tell a librarian exactly what they are up to. "Marian, I can't go through library records on a hunch," said Sheriff Boyd. "I'm not offering records. I'm making conversation." "About what?" "About a man who came in Monday, never held a library card in his life, and asked for three books. One on antique clocks. One on the tides at Lake Winnesaw. And one on how long it takes concrete to set." The sheriff put down his coffee. "The Hendry clock went missing Tuesday," he said. "Did it? My goodness." "And they poured the new boat ramp Wednesday." "Isn't that something." I stamped a due date. "Now, I couldn't possibly tell you his name, Tom. That would be a breach of privacy. But he is parked in the fire lane, and I'd feel just terrible if you didn't go check his license."

What it is for: An amateur-sleuth librarian. Midwestern politeness used as a weapon: she tells the sheriff everything while claiming to tell him nothing.
Coach's note: Watch out for playing her sly. She is sincere and helpful, and the innocence is the joke. The turn is 'And one on how long it takes concrete to set.'
What casting listens for: Casting listens for a dry, friendly narrator and for 'Did it? My goodness' said completely straight.

The Dahlia Committee

Gardening clubMature (55+)Neutral BritishOne narrator90 secondsabout 1.7 min
The emergency meeting of the Little Wickham Gardening Club was called to order at four minutes past seven, and by ten past, three members had accused each other of murder and one had asked whether there would be biscuits. "Order," said the chair, Mrs. Hester Bright. "Colonel, sit down." "I will not sit down. That woman has as good as called me a poisoner." "I said you had access to weedkiller, Colonel," said Miss Tolley. "Which you do. You have a shed full of it. You use it on other people's dandelions." "Dandelions are a menace." "So, it appears, are you." "Order!" Hester rapped the table with a trowel. "Poor Mr. Crabbe was found in his greenhouse on Sunday. The police say natural causes. I say a man does not die naturally the night before the dahlia final, with the only key to the trophy cabinet in his pocket." "Is the key still in his pocket?" asked a small voice at the back. Everyone turned. It was the new member, the one who had only joined for the seed swap. "No," said Hester slowly. "It was not." "Then it isn't about dahlias, is it? It's about whatever's in the cabinet." The Colonel sat down. "There is nothing in the cabinet but the cup," said Miss Tolley. "And the minutes," said Hester. "Forty years of minutes." She had gone rather pale. "Including, now I think of it, who really won in 1987." Somebody at the back asked, again, about the biscuits.

What it is for: Comic timing with a full room. A chairwoman, a blustering colonel, a sharp spinster and a quiet newcomer, in a meeting that keeps going off the rails.
Coach's note: Watch out for letting the squabble run at one speed. Bring it down hard for the small voice at the back. The turn is 'Is the key still in his pocket?' The biscuit line is thrown away, not punched.
What casting listens for: Casting listens for four distinct voices, clean pace changes, and whether the running joke lands without help.

The Twelfth Gingerbread Man

Holiday, ChristmasAdult (25-40)Neutral AmericanOne narrator1 minuteabout 64s
It is three days before Christmas, the town gingerbread contest is in one hour, and somebody has bitten the head off the mayor's entry. "This is sabotage," says Mayor Whitlock. "It's a cookie, Dale." "It is a scale model of the courthouse with eleven gingerbread councilmen and one gingerbread me. And I am the one missing a head." I crouch by the table. I run the hardware store, but I read a lot of mysteries, and in a town this size that makes me the detective. "Who had a key to the hall?" "Me. The janitor. The Ladies' Auxiliary." "That's forty people." "Forty-one. Agnes got a spare cut." I look closer. Crumbs. A smear of red icing. And low down on the table leg, about knee height, one small sticky handprint. "Dale. Did your granddaughter come by this morning?" "For five minutes. She's four. She's an angel." "She's a suspect," I say. "And she's got icing on her ear."

What it is for: A Christmas cozy with the lowest possible stakes, played completely seriously. A hardware store owner as town detective.
Coach's note: Watch out for laughing at the mayor. The narrator treats a bitten cookie like a real case. The turn is the 'small sticky handprint'. Slow down to find it.
What casting listens for: Casting listens for deadpan, a pompous second voice that stays human, and a clean button on the last line.

Trouble at the Chili Cook-Off

CulinaryMature (55+)Southern USOne narrator1 minuteabout 64s
Now, I have judged the Pecan County Chili Cook-Off for nineteen years, and nobody ever fainted at it until Earl Tubbs keeled over at table six. "He'll be fine," said Doc Hadley. "But somebody doctored that chili." "Whose was it?" "That's the trouble, Buck. It was his own." Well, that set everybody talking. I walked down the row instead. Eleven pots. Eleven spoons. And Lurleen Baker, two tables down, stirring like she meant to wear a hole in the pot. "Afternoon, Lurleen." "Buck." "Earl's took sick." "I heard. Shame." "You two still feuding over that blue ribbon?" "I don't feud. I'm a Christian woman." "Yes, ma'am." I leaned over her pot and took a good long sniff. "Lurleen, honey, how come your chili smells like Earl's recipe, and Earl's smelled like a bottle of sleeping tonic?" She quit stirring. "Somebody switched the pots," I said. "And I don't believe it was you. I believe it was meant for you."

What it is for: A culinary cozy with a Southern storyteller. An old judge who takes his time and notices what is in the pot.
Coach's note: Watch out for hurrying him. Buck strolls through this. Lurleen is short and stiff until she stops stirring. The turn is 'She quit stirring.'
What casting listens for: They listen for an easy, unforced Southern voice, a prickly woman who is not a caricature, and kindness in the last line.

Miss Larkin Takes the Omnibus

Historical cozy, 1920sAdult (30-45)Neutral BritishOne narrator1 minuteabout 67s
On the morning of the fourth of May, 1924, Miss Edith Larkin boarded the number eleven omnibus with a hatbox, a bag of peppermints, and the firm intention of proving her employer innocent before luncheon. "You're the typist from Harcourt's," said the conductor. "The jewel business. It's in all the papers." "I am a secretary," said Miss Larkin. "And the papers are wrong." "They say the old man took the necklace himself." "Mr. Harcourt cannot find his own spectacles when they are on his nose. He did not crack a safe." She offered him a peppermint. "Tell me, were you on this route Tuesday night?" "I was." "Did a gentleman board at Farrow Street, about eleven? Evening dress, possibly out of breath?" The conductor stopped chewing. "Left glove missing." "Thank you," said Miss Larkin warmly. "That is the nicest thing anyone has said to me all week. Where did he get off?" "Now, miss, I oughtn't to say." She held out the whole bag. "Pelham Mews," he said.

What it is for: A 1920s historical cozy. A crisp, well-spoken secretary charming information out of a London bus conductor.
Coach's note: Watch out for making her posh and cold. She is brisk but delighted when she gets a clue. Give the conductor a different class and tempo. The turn is 'Left glove missing.'
What casting listens for: Casting listens for period diction that sounds lived-in, and two classes of speaker without mockery.

The Ghost Who Hated Mondays

Paranormal cozy, bookshopAdult (25-40)Neutral AmericanOne narrator1 minuteabout 64s
The bookshop came with a leaky roof, a mountain of debt, and the ghost of the previous owner, who had opinions about all three. "You've shelved the poetry wrong," said Mr. Finch. "Good morning to you too." "It's Monday. Nothing good happens on a Monday. I died on a Monday." "You fell off a ladder, Mr. Finch. It was an accident." "So everyone keeps saying." He drifted through the cash register, which he knew I hated. "Thirty years I climbed that ladder. Do you know what was different that morning?" "What?" "Somebody had oiled the wheels." I stopped counting change. "I never oiled the wheels," he said. "I liked the squeak. Kept the customers from sneaking up on me." "Who else had a key?" "Ah." He actually smiled, which on a ghost is unsettling. "Now you're asking the right question. Only took you six weeks." He floated toward the back room. "Bring a notebook. And for heaven's sake, fix the poetry."

What it is for: A paranormal cozy. A new bookshop owner and the grumpy ghost of the last one, who turns out to have a case.
Coach's note: Watch out for playing the ghost spooky. He is a fussy bookseller who happens to be dead. The turn is 'Somebody had oiled the wheels', and both voices change after it.
What casting listens for: Casting listens for affectionate bickering, a clear older male voice from a female narrator, and the shift from banter to interest.

Bingo Night at Sunset Pines

Retirement-community sleuthsMature (55+)Neutral AmericanOne narrator90 secondsabout 1.7 min
Three things happen every Tuesday at Sunset Pines Retirement Village. Bingo at seven, decaf at eight, and by nine, Ruthie Katz has accused somebody of a felony. This Tuesday she was right. "The jackpot's short," she said, sliding into our booth. "Four hundred dollars. I counted the envelope before and after." "You counted the bingo envelope?" said Walt. "I was a bank teller for forty years, Walter. I count everything. I've counted your teeth." I should explain the three of us. Ruthie has the brains. Walt, who was a mailman, has the legs, or did until the hip. I taught high school drama, so I have what Ruthie calls no useful skills and a loud voice. "So who had the envelope?" I asked. "Brenda from Activities. Then the new night manager." "It's the night manager," Walt said. "Brand new shoes. On that salary?" Ruthie tapped the table. "We need him out of his office for ten minutes. A distraction." They both turned and looked at me. "Oh, no," I said. "You did eleven seasons of summer stock, Leonard." "I am eighty-one years old." "Then it'll be very convincing when you collapse." I would like it on the record that I objected. I would also like it on the record that I was magnificent. I clutched my chest by the piano, I called for my mother, and I took down a ficus on my way to the floor. Walt was in and out of that office in six minutes. Nine, with the hip.

What it is for: Retirement-community sleuths. A theatrical narrator, a razor-sharp ex-bank teller and a stubborn ex-mailman, with a comic set piece at the end.
Coach's note: Watch out for playing 'old' instead of playing people. They are quick. Ruthie is fastest. The turn is 'They both turned and looked at me.' Then enjoy the collapse without rushing it.
What casting listens for: Casting listens for three distinct older voices, a narrator with charm, and timing on 'Nine, with the hip.'

The Marmalade Motive

Village, BritishMature (55+)Neutral BritishOne narrator30 secondsabout 30s
I knew the moment I tasted the marmalade that somebody at the Women's Guild was lying. Seville orange, she had written on the label. Made last week. But Seville oranges are over by February, and this is June. So either dear Prudence has a time machine in her pantry, or that jar came from the cellar of a woman who has been missing since the spring. I had another spoonful. One must be thorough.

What it is for: A thirty-second cozy audition cut. One clue, one deduction, one joke.
Coach's note: Watch out for twinkling all the way through. She is sharp first, amused second. The turn is 'But Seville oranges are over by February.' The last line is dry.
What casting listens for: Thirty seconds to show you can be warm and clever at once. Casting listens for the thinking.

Closed for Inventory

BookshopAdult (30-45)Neutral AmericanOne narrator45 secondsabout 49s
The sign on my bookshop door said Closed for Inventory, which was true. I was taking inventory of who could have stolen a first edition from a locked case six feet from my desk. "Maybe you sold it and forgot," said my sister. "It was worth more than the building." "Then maybe it was the cat." We both looked at Chaucer, asleep on the atlases, fourteen pounds of orange indifference. "He doesn't have thumbs, June." "He doesn't have morals either." "Three people came in today. The mailman, Mrs. Pruitt, and a man who asked for the restroom." "We don't have a public restroom." "No," I said slowly. "But I pointed him down the back hall anyway. And he was gone ten minutes."

What it is for: A bookshop cozy with sibling banter. A fretful owner and a sister who is no help at all, until she is.
Coach's note: Watch out for playing both siblings as equally worried. June is enjoying herself. The turn is 'We don't have a public restroom.'
What casting listens for: Casting listens for quick, overlapping-feeling dialogue and a male narrator who can do a sister without a falsetto.

The Shop Cat's Statement

Cat sidekickAnyNeutral BritishOne narrator1 minuteabout 66s
Let me state for the record that I saw everything. I am the cat. I see everything. It is simply that nobody ever asks. At nine o'clock the tall human closed the yarn shop and went upstairs. At ten past, the back window opened, and in came a person who was not staff. The staff have treats. This person went directly to the till, which was foolish, because my human keeps the real money in the tin marked Buttons. Then they trod on my tail. I wish this noted. I consider it the more serious offence. Naturally I gathered evidence. I removed a quantity of trouser, left leg, grey wool. It is under the sofa with my other valuables. This morning there is a policeman in the shop, asking my human if she noticed anything unusual. She says no. I am sitting on his notebook. I have been sitting on it for some time. Any moment now, one of them is going to work out why.

What it is for: A cat as narrator. Grand, offended and entirely sure of itself. Trains a strong comic point of view with no dialogue to hide behind.
Coach's note: Watch out for doing a 'cat voice'. Play a very dignified witness giving a statement. The turn is 'Naturally I gathered evidence.' Leave air before the last line.
What casting listens for: Casting listens for character through attitude alone, and whether you can be funny while staying still.

The Lighthouse Tea Room

Seaside townAdult (40-55)ScottishOne narrator45 secondsabout 46s
The Lighthouse Tea Room in Port Aigas served forty covers on a good day, and Morven Blair could tell you where every one of them had been sitting when the lifeboat fund went missing. "Table four," she said. "The birdwatchers." "They've an alibi," said Constable Reid. "They were watching birds." "In that fog?" She set down the teapot. "And they'd binoculars round their necks and not a speck of mud on their boots. Three days on the cliff path, Hamish. In November." "Tourists are tidy." "Tourists order the scone. Those two had the soup and kept their coats on." She untied her apron. "Folk who keep their coats on are planning to leave in a hurry."

What it is for: A Scottish seaside cozy. A tea room owner who reads her customers like a seating chart.
Coach's note: Watch out for letting the accent swallow the clues. Every detail must be heard. Morven is brisk, Hamish is slower. The turn is 'not a speck of mud on their boots'.
What casting listens for: They listen for a clear, natural Scots read and a confident closing line.

Shelved Under Suspicious

Librarian sleuthAdult (30-45)Neutral AmericanOne narrator30 secondsabout 33s
Somebody in this town is returning library books with clues in them, and I would like them to know I am onto it. Tuesday, a cookbook, with one page turned down. Poison ivy remedies. Wednesday, a road atlas, and inside it a gas receipt from the night of the break-in. Today, a mystery novel. The last chapter has been torn out. Either I have a witness who is too shy to talk, or a thief who wants to be caught. Both are overdue.

What it is for: A thirty-second librarian cut. A list of three clues that has to build, then a pun to land.
Coach's note: Watch out for reading the three days at the same weight. Each one should make her a little more interested. The turn is 'The last chapter has been torn out.'
What casting listens for: Casting listens for a narrator with a point of view, and a pun delivered without apology.

What the Compost Heap Knew

Gardening clubMature (55+)Neutral BritishOne narrator45 secondsabout 48s
A good compost heap will tell you everything about a household, and the one at number nine was telling me that Mrs. Ogilvy had not gone to her sister's in Devon. "Arthur, come away from there," said my wife. "You're trespassing." "I'm turning it for her. Neighbourly." "You're snooping." "Look, Jean. Half a grapefruit, fresh this morning. She's the only one in that house who eats grapefruit." "So he's eating it." "It gives him hives." I leaned on my fork. "She's still in there, Jean. And they told the whole street she'd gone, the very day the raffle money did." Jean was quiet for a moment. "I'll put the kettle on," she said. "And then I think you'd better ring someone."

What it is for: A gentle English cozy between a long-married couple. He snoops, she disapproves, and then she doesn't.
Coach's note: Watch out for making Jean a nag. She is the sensible one, and she gets the last word. The turn is her silence before 'I'll put the kettle on.'
What casting listens for: Casting listens for a marriage in two voices, and a male narrator who can play his wife with respect.

Trick or Treat at the Tea Shop

Holiday, HalloweenAdult (25-40)Neutral AmericanOne narrator45 secondsabout 46s
It is Halloween night, my tea shop is full of small pirates, and I have just realized that the witch at table three is the only grown-up who came alone. "Poppy," I whisper to my niece. "The lady in the pointed hat. Did she come in with the school group?" "Nope. She was here before." "Did she order?" "Chamomile. She paid with a really old coin." Poppy is nine, dressed as a detective, and taking it very seriously. "Also, Aunt Jo, the antique shop next door got robbed an hour ago. Old coins." I look at her. "I have a badge," she says. "People tell me things." "It's a plastic badge." "They don't know that."

What it is for: A Halloween cozy with a child sidekick. A nine-year-old 'detective' who is better at it than her aunt.
Coach's note: Watch out for making Poppy cute. She is brisk and professional. The aunt is the flustered one. The turn is 'Old coins.'
What casting listens for: Casting listens for a believable nine-year-old and a clean last two lines.

Saffron for Twelve

CulinaryAdult (40-55)Neutral AmericanOne narrator1 minuteabout 63s
I have taught Tuesday night cooking class for six years, and I can tell you the exact moment it stopped being about risotto. It was when I opened the saffron tin and found a diamond ring in it. "Nobody panic," I said. Twelve students panicked. "Is that real?" said Marcy from station two. "Is that mine?" said her husband, which was interesting. "Everybody stay at your stations. Keep stirring." I held the ring up to the light. "This tin was sealed when I locked up last week. So somebody in this room hid it here tonight." "Why would anyone hide a ring in saffron?" asked the quiet man at station nine. "Because it's the one ingredient nobody else is allowed to touch." I looked down the row. Eleven worried faces. One very calm one. "And because whoever it was needed empty pockets when the police came through the lobby an hour ago. Sir, your rice is burning."

What it is for: A culinary cozy in a cooking class. A chef who keeps teaching while he works out which student is a thief.
Coach's note: Watch out for dropping the teacher. He never stops running the class, and that is the charm. The turn is 'One very calm one.'
What casting listens for: Casting listens for command of a room, three quick student voices, and a last line tossed off like a real instruction.

Mrs. Tibbet's Boarding House, 1911

Historical cozy, 1910sAdult (40-55)Neutral AmericanOne narrator90 secondsabout 1.7 min
I have kept a respectable boarding house on Garnet Street since 1898, and I will say this for a house full of lodgers. Nobody can steal so much as a hatpin without six people hearing the floorboard. So when Mr. Aldous Pym came down to breakfast and announced that his gold watch had been taken in the night, I did not send for the police. I sent for more toast. "Mrs. Tibbet, I must insist," he said. "Sit down, Mr. Pym. You will have your watch before the eggs are cold." I looked round my table. Miss Fenn, the schoolteacher, buttering very fast. Young Mr. Rourke, who sells patent medicines and owes me two weeks. And the Professor, who has not noticed anything since the last century. "Now then. The third stair creaks, and I sleep light. It creaked once last night, at a quarter past one. Going up." "Up?" said Miss Fenn. "Up. Not down. Somebody came home late, and passed Mr. Pym's door on the way." Mr. Rourke had gone the color of the tablecloth. "I never took it," he said. "I swear. His door was open and it was lying on the carpet. I only picked it up so it wouldn't be trod on." "And where is it now?" "On the hall table. Under the newspaper. I meant to say, only he came down shouting." I went and looked. There it was, ticking away. "Mr. Pym," I said, "your chain is broken. Eat your eggs. Mr. Rourke, two weeks. Friday."

What it is for: A historical cozy solved over breakfast. A landlady with total command of her table and four lodgers to keep apart.
Coach's note: Watch out for playing it like a courtroom. She is serving eggs. Rourke's confession tumbles out fast, and everything else is unhurried. The turn is 'Up. Not down.'
What casting listens for: Casting listens for period flavour without stiffness, a frightened young man, and authority in the final three orders.

The Tarot Reader Next Door

Paranormal cozyYoung adult (18-25)Neutral AmericanOne narrator1 minuteabout 66s
My aunt left me her tarot shop, her debts, and a deck of cards that will not stop predicting crimes on my street. "It's just one card," says my neighbor Gus, who runs the bike repair place and does not believe in any of this. "Doesn't it come up all the time?" "Not four mornings in a row. Not the Seven of Swords." "What's the Seven of Swords?" "A thief. Sneaking off with something that isn't his." "Lena. Come on." "Monday, I pulled it. Monday night the florist got robbed. Tuesday, same card, and somebody hit the pet store." "Coincidence." "This morning I pulled it again. And then this." I flip the next card over. A great big wheel. Gus stops smiling. "That's not a real card," he says. "It's the Wheel of Fortune, Gus. It's extremely real. And you are the only shop on this block with wheels in the window." I hand him my phone. "Call your alarm company. I'll make tea."

What it is for: A paranormal cozy with a sceptic. A young shop owner whose cards keep being right, and a neighbour who would rather they weren't.
Coach's note: Watch out for going mystical. Lena is exasperated, not spooky. She treats the cards like a faulty smoke alarm. The turn is 'Gus stops smiling.'
What casting listens for: Casting listens for a young, funny lead and a laid-back male voice that tightens on one line.

Shuffleboard and Motive

Retirement-community sleuthsMature (55+)Neutral AmericanOne narrator1 minuteabout 65s
At Palm Meadow Estates, the shuffleboard court opened at eight, the gossip opened at five past, and by nine Frank Delgado had a theory. "It's the son-in-law," he said. "You don't know that," said Irene. "He drives a convertible." "That's not a crime, Frank." "It is at his age." He lined up his shot. "Look. Mabel's coin collection disappears Saturday. Sunday, the son-in-law shows up with flowers. When has that man ever brought flowers?" "Her birthday." "Her birthday's in March." Irene had been a court stenographer for thirty-five years. She remembered everything anybody had ever said, which made her a terrible person to lie to. "He told Mabel he was up at the lake on Saturday," she said slowly. "See?" "But on Sunday he complained about the drawbridge traffic. There's no drawbridge between here and the lake, Frank." Frank missed his shot entirely. "Irene," he said, "you are the scariest woman I ever met." "Thank you. It's your turn to buy the coffee."

What it is for: Retirement-community sleuths. A man with theories and a woman with a perfect memory, mid-game.
Coach's note: Watch out for making Frank the smart one. He is loud and wrong for the right reasons. Irene is quiet and right. The turn is 'He told Mabel he was up at the lake on Saturday.'
What casting listens for: Casting listens for two seniors with real energy, and Irene's deduction arriving slowly in her voice.

The Bake Sale Ledger

Small-town, churchAdult (40-55)Southern USOne narrator30 secondsabout 34s
Bless their heart, whoever has been sneaking around the church bake sale did not count on me keeping a ledger. Forty-two pies came in. Forty-one were sold. There is not one pie left on that table. And the cash box is over by exactly nine dollars, which is the price of a pie. So we are not looking for a thief, y'all. We are looking for somebody who took Darlene's lemon pie in secret and felt too guilty not to pay. That is her husband.

What it is for: A thirty-second Southern cozy. A church lady with a ledger doing arithmetic out loud.
Coach's note: Watch out for leaning on 'bless her heart'. Say it and move on. The fun is the sum. The turn is 'So we are not looking for a thief, y'all.'
What casting listens for: Casting listens for charm, clarity on the numbers, and a punchline that arrives on time.

The Yarn Shop Alibi

Knitting circleAdult (30-45)Neutral AmericanOne narrator45 secondsabout 48s
She told the police she had spent the whole evening knitting, and I might have believed her, if she had not been holding the needles upside down. "Is that a problem?" asked Officer Bell. "It's like saying you drove all night and pointing at the trunk. And look at the scarf. First ten rows, tight and even. That's mine. I sell them started. The rest is hers." Four rows, full of holes. "That is not three hours of work. That's ten minutes, in a parked car." "You can tell it was a car?" "There's a seat belt crease across row twelve." He wrote that down. Then he looked up. "Do you teach a class?" "Thursdays," I said. "Bring your own needles."

What it is for: An expert-witness cozy. A yarn shop owner taking an alibi apart stitch by stitch for a patient police officer.
Coach's note: Watch out for getting technical and losing the fun. She is enjoying this. The turn is 'That is not three hours of work.'
What casting listens for: Casting listens for confident expertise, a straight-man officer, and a light touch on the last exchange.

The Book Club Has a Theory

Book clubAdult (30-45)Neutral AmericanOne narrator1 minuteabout 64s
Our book club has not finished a book since 2019, but in that time we have correctly identified one embezzler, two affairs, and whoever keeps stealing the Kowalskis' newspaper. Tonight it's the Garden Society raffle. "It was rigged," says Priya, pouring. "The same woman has won the quilt three years running." "Maybe she's lucky," says Dana. "Nobody's that lucky. I'm an actuary." "You say that like it's a threat." "It is a threat." I'm the host, so I'm the one with the snacks and the whiteboard. Yes, we have a whiteboard. "Okay. Who draws the ticket?" "The president." "Who prints the tickets?" "The president's husband." "And who won?" "The president's sister," says Dana. "Oh, come on. That's not even trying." "I'm offended by how lazy it is," says Priya. "So next year we buy every single ticket," I say. "All of them. And see who wins." A pause. Then Dana raises her glass. "This," she says, "is why we don't read."

What it is for: Three friends talking fast. Trains keeping a blunt actuary, an easygoing friend and a narrator-host distinct at speed.
Coach's note: Watch out for losing track of who is speaking. Give Priya a flat certainty and Dana a laugh in the voice. The turn is 'The president's sister.'
What casting listens for: Casting listens for ensemble rhythm from one mouth and a button line that gets the laugh.

The Guest Book at Maple Hollow

Bed and breakfastAdult (40-55)Neutral AmericanOne narrator90 secondsabout 1.7 min
My husband says an innkeeper should notice everything and mention nothing. I have never once managed the second part. So when the couple in the Maple Room signed our guest book as Mr. and Mrs. John Smith, I mentioned it. "Theo. People are allowed to be called Smith." "He wrote Smith. She started to write a G and turned it into an S. That is the guiltiest S I have ever seen." "You're doing the thing." "I am not doing the thing." "You are holding the guest book up to the lamp." I put it down. I picked it up again. "They've got one suitcase between them, and he wouldn't let me carry it. They asked for the room with the view of the road, Sam. Nobody asks for the road. And when the radio said the Ashford Gallery had been robbed, she turned it off." "Maybe she doesn't like the news." "Then she asked what time the border crossing closes." Sam stopped chopping. Eleven years of marriage, and I had finally said something that made him stop chopping. "What did you tell her?" "I said nine. It's actually midnight. And I told them you make the best blueberry pancakes in the state, which nobody has ever walked out on." Above us, a floorboard creaked, very carefully. "So we just have to keep them here until morning," he said. "Until the sheriff finishes his supper. I called him twenty minutes ago." Sam picked up the knife again. "You could have led with that."

What it is for: A bed-and-breakfast cozy carried by a married couple. One husband cannot stop noticing things, and the other would like to finish making dinner.
Coach's note: Watch out for playing Theo as frantic. He is delighted. Sam is dry and steady. The turn is 'Sam stopped chopping.' Save the sheriff reveal for the very end and say it casually.
What casting listens for: Casting listens for two men clearly apart in the same register, real affection, and a tag line with timing.

A Quiet Word with the Suspect

Village, BritishMature (55+)Neutral BritishOne narrator1 minuteabout 64s
Miss Honoria Peck had been headmistress of St. Winifred's for thirty-one years, and in retirement she found that a jewel thief was really no different from a boy who had not done his Latin. "Do sit down, Mr. Crane. Milk?" "I only came about the hedge." "Of course you did. Sugar?" "Two. Miss Peck, about the hedge." "You told the inspector you were at the cinema on Friday evening." "I was." "What was the picture?" He told her the plot, the star, and the price of the ticket. "How thorough," said Miss Peck. "Most people can hardly remember what they saw last week. You have learned it by heart." She stirred her tea. "A boy who has copied his homework can recite it, but never explain it. Why did the heroine go back to the house, Mr. Crane?" Silence. "Quite," she said kindly. "Drink your tea. Then we shall telephone the inspector together, and you will feel so much better."

What it is for: An interrogation over tea. A retired headmistress dismantling an alibi with nothing but good manners.
Coach's note: Watch out for making Miss Peck stern. She is kind, and that is why it works. Mr. Crane gets shorter and shorter. The turn is 'You have learned it by heart.'
What casting listens for: Casting listens for a male narrator giving a formidable older woman her full weight, and for the silence being played.

The Parrot's Testimony

Pet sidekickAnyNeutral AmericanOne narrator30 secondsabout 33s
The only witness to the robbery at Wexler's Pet Emporium is a forty-year-old parrot named Captain, and he will not stop talking. Unfortunately, what he says is, "Who's a pretty boy?" He says it to the detective. He says it to the insurance man. He says it to me. Then the delivery driver walks in, and Captain goes quiet, puffs up to twice his size, and says, very clearly, in a man's voice, "Hurry up, Kevin." The driver's name tag says Kevin.

What it is for: A thirty-second comic cut with a parrot. Two parrot lines that must sound different from each other and from the narrator.
Coach's note: Watch out for a big squawk on both lines. The first is a parrot. The second is a parrot doing a man, and it should be unsettlingly clear. The turn is 'Then the delivery driver walks in.'
What casting listens for: Casting listens for comic control and a deadpan last line.

Questions

What does a cozy mystery narrator need most?

A warm lead voice you can keep up for ten hours, and a few clear, light voices for the neighbours. Nothing needs to be big.

Are these from real books?

No. Every excerpt was written for this library, so you can record it and post it without asking anyone.

Where should a new narrator start with real books?

Start on Academy Voices, our alternative to ACX. It comes from the same team that wrote these excerpts and has published 790+ audiobooks.

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